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Announcing the winners of CC Open Culture Remix Art Contest 2022 #CCSharesCulture

mardi 24 mai 2022 à 19:57

In honor of the 20th anniversary of Creative Commons licenses, we launched our first ever Open Culture Remix Art Contest #CCSharesCulture in February 2022 to celebrate a better sharing of cultural heritage around the world.

Participants were tasked with creating original artworks in line with this year’s theme of “Love Culture? Share Culture!” by remixing public domain or CC BY-licensed images, paintings, photographs, drawings, etc., digitized in open collections. 

We received close to 100 inspiring submissions, and are deeply grateful to everyone who participated in the contest. Your contributions underscore the creativity and transformative power that open access to cultural heritage can unleash, and we thank you for your gift to the commons.

After three exciting months and careful review of the eligible submissions by our panel of judges João Pombeiro, Yana Buhrer Tavanier, Laliv Gal, Tyler Green and karen darricades, we are pleased to announce the winners of the CC Open Culture Remix Art Contest 2022 and open the vote for our public choice award.

Here are the prizes for #CCSharesCulture

1st place: cash award of US$1000
2nd place: cash award of US$500
3rd place: cash award of US$250
4th-7th: “honorable mention” – a copy of “Made with Creative Commons” signed by Larry Lessig, founder of Creative Commons
8th-10th place: “honorable mention” – a copy of “Made with Creative Commons”
Public choice award: Creative Commons merchandise | Vote Now!

Here is a link to a list of attributions for the source material for each artwork >>

1st place: “Open Culture Salon – A Librarian’s Dream” by Alwaleed Khalid licensed under CC BY

Alwaleed on his work: “’Open Culture Salon’ reimagines digital repositories as a brick-and-mortar repository, in which openly licensed content comes alive and interacts with one another. The building brings together a collection from various sources, such as paintings, photographs, and landscapes. The windows of the building represent web browser windows. This remixed work, which uses 25 different openly licensed works, is inspired by 1980’s children’s puzzle books, as well as Dadaism and Surrealism – depicting perhaps a digital repository librarian’s dream.”

 

2nd place: “Lady with flowers” by Teresa Garcia licensed under CC BY

Teresa on her work: “One of the most famous works in history, created at a time when artistic appreciation was given by beauty, is transformed into a work for the 21st century, where artistic appreciation is the show. Because you have to ask yourself:

Where do those flowers come from?

I made this collage a day when I was a bit depressed. The darkness of the background of “The Lady and the Ermine” together with the black of “Still Life with Flowers and a Watch” gives me a somewhat dark but happy feeling. A light in the darkness.”

 

3rd place: “Nostalgia” by Florens Debora Patricia licensed under CC BY

Florens on her work: “Life is a loop, and Nietzsche considers a loop that occurs in our lives as a comedy. And named the concept Eternal Recurrence. And Nostalgia is one of the triggers for every human being to remember the repetitions that have occurred in their lives, both in terms of economic, cultural, and environmental psychology.”

 

4th place: “The Arts: Painting” by Robert Paul licensed under CC0

Robert on his work: “Creative Commons is integral to my approach to art, being both an enthusiastic user and creator of works licensed under Creative Commons. This work—a contemporary digital remix of Alphonse Mucha’s “La Peinture”—expresses my love for the creative potential that’s unleashed when art, culture, and media are shared freely and openly.”

 


5th place:
“Metamorphosis UV-Map” by Carlos Travaini licensed under CC BY

Carlos on his work: “Metamorphosis UV-Map is a remix-work based on the 3D-digital scan of the neoclassical sculpture “Jason and the Golden Fleece” by Thorvaldsen, with the purpose of establishing a dialogue between past and present.

The scan of the original work was modified with the use of 3D-digital technology: the result is the 3D-Jason opened out onto a 2D-plane.”

 

6th place: “Disappearing” by Cristina Paveri licensed under CC BY

Cristina on her work: “‘It could happen to us’ was the Leitmotiv that made me select Ukraine culture heritage for this artwork. Here I remix a portrait of a young Ukrainian girl and an image of Ukrainian culture, in particular textiles and embroidery. The young girl’s portrait is fading as culture and people of Ukraine.”

 

7th place: “Frank against the Odd” by Chalas Jacques licensed under CC BY

Jacques on his work: “I was roaming on Numelyo, the Bibliothèque Numérique de Lyon, when I found this book. The original one is interesting, but it was this ugly numerisation which inspired me, with all its defaults. I don’t read nor speak Italian, so I just look at the drawings as a strange comic book of science-fiction. It reminds me of some stories like the ones we could find on Metal Hurlant crossed with pulp magazine. And the one I saw was really weird. A man, that I used to call Frank, ended up trapped in a strange world, fighting against unusual things, geometrical forms, flying hands with swords, robot guys, flying heads, etc…”

 

8th place: “East or West – Human stories are the best” by Arunesh Varade licensed under CC BY

Arunesh on his work: “Initially, I was influenced a lot by the western culture. However, over the years, I’ve developed a deep sense of appreciation for the culture of the east. Even though there’s a stark difference in the culture of the two regions, it’s the human emotion which drives us all. Expression of this emotion through music, paintings, sculpture, dance etc. provide us a medium to tell our story. That’s the best part about all these mediums of expression. It unites us all for the love of sharing our stories with no barrier of language. On a deeper level, it is these stories which form the basis for human connection.”

 

9th place: “Her Own Woman” by Danny Messing licensed under CC0

Danny on his work: “The original idea was to dress a famous nude (woman). How I was going to dress her was going to depend on the historical context of whatever piece I eventually used, but the ultimate goal was to challenge the history of the male gaze in art…As a child myself who played with paper-dolls, the first thing I would do is dress them as I’d dress myself (or how I wish I could dress). In that case, you have the viewer projecting themselves onto the goddess and how that can be rich with meaning. Dressing up is fun! Society oppresses women by reducing them to their looks! It’s everything. I loved making it. Funnily enough, the clothes were inspired by Sex and the City.”

 

10th place: “Justice for Johnny Depp” by OMARTCRAFT licensed under CC BY

Omartcraft on their work: “The modern world has evolved into a place where people are protected by law. Women enjoy the rights that years ago have not been in place, and generally, there is a constant positive dynamic in gaining rights for different groups of people. However, we witness the phenomenon when people abuse the law and transform it into a weapon for gaining credits. In 2022 Johnny Depp is becoming a symbol of this phenomenon.”

 

Cast a vote for the Public Choice Award!

We are turning it over to the CC community for the public choice award — here’s your chance to vote for your favorite artwork among the finalists of Creative Commons’ 2022 Open Culture Art Remix Contest. Voting closes on 31 May 2022 at 11:59 PM UTC.

 

Stay tuned! In the coming weeks, we will be sharing a save the date for a virtual celebration on 21 June at 3:00 pm UTC, where you’ll have a chance to meet our winners and learn more about the winning artworks. 

The post Announcing the winners of CC Open Culture Remix Art Contest 2022 #CCSharesCulture appeared first on Creative Commons.

Episode 31: Open Culture VOICES – Buhle Mbambo-Thata

jeudi 19 mai 2022 à 12:00
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Welcome to episode 31 of Open Culture VOICES! VOICES is a vlog series of short interviews with open GLAM (galleries, libraries, archives, and museums) experts from around the world. The Open Culture Program at Creative Commons aims to promote better sharing of cultural heritage in GLAMs collections. With Open Culture VOICES, we’re thrilled to bring you various perspectives from dozens of experts speaking in many different languages on what it’s like to open up heritage content online. In this episode, we hear from Dr. Buhle Mbambo-Thata, University Librarian at the National University of Lesotho. Buhle is a distinguished librarian whose knowledge and expertise has been recognized with the following awards: the IFLA Medal for Distinguished Service to Libraries in Africa; the UNISA woman of the year award, as well as the Chancellor’s award for distinguished leadership. Her work spans international and continental work to advance the library sector as a key player in education and development.

Buhle responds to the following questions: 

  1. What are the main benefits of open GLAM?
  2. What are the barriers?
  3. Could you share something someone else told you that opened up your eyes and mind about open GLAM?
  4. Do you have a personal message to those hesitating to open up collections?

Closed captions are available for this video, you can turn them on by clicking the CC icon at the bottom of the video. A red line will appear under the icon when closed captions have been enabled. Closed captions may be affected by Internet connectivity — if you experience a lag, we recommend watching the videos directly on YouTube.

Episodes will be released twice a week until June 2022. Have you missed the latest episodes of Open Culture VOICES? Catch up here >>

The post Episode 31: Open Culture VOICES – Buhle Mbambo-Thata appeared first on Creative Commons.

Episode 32: Open Culture VOICES – Martine Denoyelle

jeudi 19 mai 2022 à 12:00
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Welcome to episode 32 of Open Culture VOICES! VOICES is a vlog series of short interviews with open GLAM (galleries, libraries, archives, and museums) experts from around the world. The Open Culture Program at Creative Commons aims to promote better sharing of cultural heritage in GLAMs collections. With Open Culture VOICES, we’re thrilled to bring you various perspectives from dozens of experts speaking in many different languages on what it’s like to open up heritage content online. In this episode, we hear from Martine Denoyelle, Curator & Project Manager Digital Prospective at the Institut national d’Histoire de l’art. After having spent part of her career at the Department of Greek, Etruscan and Roman Antiquities of the Louvre Museum, she was scientific advisor at the National Institute of Art History from 2008 to 2016, then in charge of the digital prospective mission responsible for the Images / Usages project. She has organized in Paris several events on Digital Art History and the actuality of Open GLAMs.

Martine responds to the following questions: 

  1. What are the main benefits of open GLAM?
  2. What are the barriers?
  3. Could you share something someone else told you that opened up your eyes and mind about open GLAM?
  4. Do you have a personal message to those hesitating to open up collections?

Closed captions are available for this video, you can turn them on by clicking the CC icon at the bottom of the video. A red line will appear under the icon when closed captions have been enabled. Closed captions may be affected by Internet connectivity — if you experience a lag, we recommend watching the videos directly on YouTube.

Episodes will be released twice a week until June 2022. Have you missed the latest episodes of Open Culture VOICES? Catch up here >>

The post Episode 32: Open Culture VOICES – Martine Denoyelle appeared first on Creative Commons.

Virtual Workshop Recap: Towards Better Sharing of Cultural Heritage

mardi 17 mai 2022 à 17:07

Background to the workshop

At the start of April 2022, Creative Commons released a policy paper called “Towards Better Sharing of Cultural Heritage — An Agenda for Copyright Reform” developed by members of the Creative Commons (CC) Copyright Platform and CC friends from around the world, which addresses the key high-level policy issues affecting access and sharing of cultural heritage, notably by galleries, libraries, archives and museums (GLAMs).

This paper calls for policies that support better sharing of cultural heritage in the public interest. And that’s exactly what we are planning to do. We are developing our first ever CC Open Culture Guide for Policymakers to address the copyright barriers to universal access and reuse of knowledge and culture faced by GLAMs. To initiate this process, we held an interactive virtual workshop for policy experts and open culture enthusiasts to explore key policy issues and gather insights into how to effectively engage policy makers in our work. 

Workshop Recap

CC hosted a workshop on 10 May 2022, “Towards Better Sharing of Cultural Heritage,” which sought to bring together folks from the worlds of open culture and policy. The workshop started with a welcome address from Creative Commons CEO Catherine Stihler, followed by a brief overview of the main policy issues affecting better sharing of cultural heritage.

Our four panelists took to the stage to share their insights into ways to develop impactful and effective guidance to reshape policy. We were joined by:


Check out this Twitter thread with top tips from our panel ⬇ 

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After hearing from our panel of policy experts, we moved to the interactive part of the workshop. Attendees were divided into four breakout groups to co-create an initial roadmap for developing a guide for policymakers to support the public interest goals and mission of global cultural heritage institutions and their users. Please note that recordings are not available for the breakout sessions. 

Our four breakout sessions were:

  1. Open Culture in an Ideal World: Needs, goals and aspirations of the open culture movement | Led by Camille Francoise
  2. Open Culture in our Current World: Problems, hurdles and challenges | Led by Shanna Hollich
  3. Bridging the Gap between Current and Ideal: Exploring solutions: exceptions and limitations and safeguarding the public domain | Led by Maarten Zeinstra
  4. New horizons: artificial intelligence, copyright and cultural heritage | Led by Emine Ozge Yildirim


The event probed several innovative and inspiring strategies for CC advocates to convey complex policy messages in simple and engaging ways. It also helped define our policy vision for better sharing of cultural heritage, according to the four horizons that shape it: (1) the challenging present; (2) the path forward; (3) the ideal future; and (4) the final frontier. Our learnings will feed into our guide development process, which will involve many opportunities to deepen the conversations and strengthen collaboration among experts in our dynamic global community.

 

We can’t develop this guide without your help—join us and get involved in developing a stable foundation for policy makers to further access to information, knowledge and culture. Join the CC Copyright Platform Mailing List >>

The post Virtual Workshop Recap: Towards Better Sharing of Cultural Heritage appeared first on Creative Commons.

CC at SCCR 42 — A Look Back at the WIPO Copyright Meeting

lundi 16 mai 2022 à 21:13

From 9 to 13 May 2022, Creative Commons (CC) participated in the 42nd session of the World Intellectual Property Organization (WIPO) Standing Committee on Copyright and Related Rights (SCCR) in Geneva, Switzerland. In this blog post, we look back on the highlights of the SCCR/42 week.

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Wikimedia chapters denied accreditation

On May 9, Wikimedia chapters of France, Germany, Italy, Mexico, Sweden, and Switzerland were denied accreditation as official observers to the WIPO SCCR. Previously, China had rejected the Wikimedia Foundation’s application for observer status. CC condemns this decision, as detailed in our blog post.

CC’s general policy agenda at WIPO

As part of its policy agenda, CC aims to drive copyright reform towards better sharing of copyright content in the public interest and in tune with the sharing possibilities unlocked in the digital environment. We promote open culture, a positive, global policy framework that fosters the public-interest mission of cultural institutions. Last month, we published a policy paper that details our views on copyright reform, and held a workshop last week to start the process to consolidate those views into a practical guide for policymakers. Stay tuned for next steps!

Exceptions and limitations

Open culture is conditioned upon strong, clear, and effective limitations and exceptions; they are the pillars on which cultural heritage institutions can rest to fulfill their mission. Global challenges such as climate change and the COVID-19 pandemic are causing unprecedented hardship to cultural institutions and the communities they serve. These challenges magnify the vital importance of limitations and exceptions to facilitate cultural heritage institutions’ digital presence. CC delivered a statement calling on WIPO member states to endorse the Proposal by the African Group (SCCR/42/4), which we support, as it is geared towards concrete and meaningful solutions to ensure there are effective and consistent exceptions and limitations to support institutions and their millions of users worldwide.

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Broadcasting 

Regarding the discussions on a draft broadcasting treaty, CC remains firmly opposed to any new right for broadcasters. As we stated in the past, additional rights would add a layer of protection atop the underlying copyright in the works being broadcast. This new set of rights would permit broadcasters to restrict access to works already licensed under a Creative Commons license or in the public domain, and would unnecessarily complicate the rights-negotiation process that Creative Commons has attempted to simplify. For Creative Commons, the exceptions and limitations proposed in the draft treaty are insufficient to address uses for purposes of education, research and preservation of cultural heritage. Furthermore, regarding the use of digital rights management (DRM) and technological protection measures (TPMs) to enforce such rights, CC finds these antithetical to the “open” ethos and at odds with the values of better sharing that we support.

Looking ahead 

Although we are disappointed that the African Group proposal was not supported in its entirety, we welcome the Committee’s commitment to continue to discuss a revised proposal at the next session, SCCR/43. We also welcome the meeting’s conclusions to (1) invite experts to give presentations on specific cross-borders problems in the online and cross-border environment, including on education and research; (2) for the Secretariat to develop, in consultations with experts and stakeholders from beneficiary communities and right holders, toolkits on technical assistance to support education, research and the preservation of cultural heritage.

 

We look forward to Member States taking active steps to build on this momentum and accelerate the work for a fairer and more balanced copyright system that supports better sharing in the public interest.

 

To stay informed about our copyright and policy work, join our mailing list

The post CC at SCCR 42 — A Look Back at the WIPO Copyright Meeting appeared first on Creative Commons.