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Meet the Judges #CCSharesCulture: Karen Darricades

jeudi 14 avril 2022 à 19:42

Creative Commons’ Open Culture Remix Art Contest #CCSharesCulture is open until 30 April 2022. So there’s still plenty of time to remix existing art and turn it into something fresh and exciting under the theme “Love Culture? Share Culture!”

In the run up to the submission deadline, we are introducing our panel of experts, who will judge the entries based on their conformity with the theme, expression of the theme, originality, creativity, quality, artistic expression, personal expression, visual appeal, and overall impact. Get to know one of our six judges, Karen Darricades, in this Q&A blog post. 


Who are you?

I am a multidisciplinary artist, media educator, and the arts and culture lead at Creative Commons Canada. I co-host live events featuring artists using CC-licensed works and open software called Watch Me Work: a look behind the screen with digital artists and creators. Watch Me Work will be live again in May with new episodes. Mostly, I live to support young creatives access the materials they need to create works of collage, photography and new media of all kinds. When not running workshops, I’m making digital things jump off screens and into the world using augmented reality.

What does “better sharing” of culture mean to you? 

Better sharing to me means building a culture where creatives are free to borrow and build on meaning, while having a clear understanding of where those works came from and how those who created them want to be recognized for their contributions. A culture of sharing at its best recognizes the labor that went into the initial artistic process, but is free to create something new with it.

How can open access to cultural heritage stimulate creativity?

All art is art criticism, a reflection of and addition to the ideas and representations that came before, and implies an understanding that once we create something, it takes on a life of its own. That’s how cultural heritage remains relevant, vibrant and iterative parts of the human experience.

What advice would you give to folks who are in two minds about entering CC’s Open Culture Remix Art Contest?

Please, don’t hesitate! Remixing is often messy, undecided and unfinished, please share your musings with us.

What sparked your passion for “open” culture?

The need to make something from something due to an inability to make something from nothing. I look at a blank page and see nothing. When I look at something, be it a famous work of art, flier stapled on a lamppost or a design element out of context, that’s when I get curious and motivated to make. I have always cut and pasted things of all kinds into new Frankenstein-like hybrids, and am so thankful to live in a time when more materials are at my fingertips than ever before, from peers to pros and historical works, all available to use or rework, it’s fantastic!

What excites you about being a judge for CC’s Open Culture Remix Art Contest?

Everything! So excited to see the things folks will submit and their interpretations of the call. I work with young people using collage concepts and remixing content in my workshops, and frankly, it never gets tiring.

Submit your artwork before 30 April here >>

By submitting an entry to the contest, you agree to the Creative Commons Open Culture Remix Art Contest Rules

Questions?

If you have any questions about the contest, please contact us at communications@creativecommons.org.

The post Meet the Judges #CCSharesCulture: Karen Darricades appeared first on Creative Commons.

Episode 22: Open Culture VOICES – Antje Schmidt

jeudi 14 avril 2022 à 17:10
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Welcome to episode 22 of Open Culture VOICES! VOICES is a vlog series of short interviews with open GLAM (galleries, libraries, archives, and museums) experts from around the world. The Open Culture Program at Creative Commons aims to promote better sharing of cultural heritage in GLAMs collections. With Open Culture VOICES, we’re thrilled to bring you various perspectives from dozens of experts speaking in many different languages on what it’s like to open up heritage content online. In this episode, we hear from Antje Schmidt, Head of Digital Strategy at the Museum für Kunst und Gewerbe Hamburg (MK&G), and has worked with digital cultural heritage for 15 years. Her work focuses on making museum collections more accessible, reusable, and relevant to different audiences and machines. In 2015, with the launch of the first collection online, she established an open access policy at the Museum für Kunst und Gewerbe Hamburg – the first one in a German art museum and the core of the ever evolving digital strategy of the museum.

Antje responds to the following questions: 

  1. What are the main benefits of open GLAM?
  2. What are the barriers?
  3. Could you share something someone else told you that opened up your eyes and mind about open GLAM?
  4. Do you have a personal message to those hesitating to open up collections?

Closed captions are available for this video, you can turn them on by clicking the CC icon at the bottom of the video. A red line will appear under the icon when closed captions have been enabled. Closed captions may be affected by Internet connectivity — if you experience a lag, we recommend watching the videos directly on YouTube.

Episodes will be released twice a week until June 2022. Missed episode 21 of our Open Culture VOICES series? Catch up here >>

The post Episode 22: Open Culture VOICES – Antje Schmidt appeared first on Creative Commons.

Episode 21: Open Culture VOICES – Céline Chanas

jeudi 14 avril 2022 à 17:10
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Welcome to episode 21 of Open Culture VOICES! VOICES is a vlog series of short interviews with open GLAM (galleries, libraries, archives, and museums) experts from around the world. The Open Culture Program at Creative Commons aims to promote better sharing of cultural heritage in GLAMs collections. With Open Culture VOICES, we’re thrilled to bring you various perspectives from dozens of experts speaking in many different languages on what it’s like to open up heritage content online. In this episode, we hear from Céline Chanas, Head Conservator at the Musée de Bretagne in Rennes. During her professional career, she has acquired expertise in social museums, the management of heritage establishments, cultural mediation and exhibitions. She also serves as President of the Federation of Ecomuseums and Society Museums, an association committed to recognizing the social role of museums, at the heart of regional projects.

Céline responds to the following questions: 

  1. What are the main benefits of open GLAM?
  2. What are the barriers?
  3. Could you share something someone else told you that opened up your eyes and mind about open GLAM?
  4. Do you have a personal message to those hesitating to open up collections?

Closed captions are available for this video, you can turn them on by clicking the CC icon at the bottom of the video. A red line will appear under the icon when closed captions have been enabled. Closed captions may be affected by Internet connectivity — if you experience a lag, we recommend watching the videos directly on YouTube.

Episodes will be released twice a week until June 2022. Missed episode 20 of our Open Culture VOICES series? Catch up here >>

The post Episode 21: Open Culture VOICES – Céline Chanas appeared first on Creative Commons.

Global Report on the State of Journalism Released

vendredi 8 avril 2022 à 20:03

Download the report
From Broken Revenue Models
to Embracing an “Open” Ethos

A new global report on the state of journalism has been published by Creative Commons (CC) which identifies the growing challenges of combatting disinformation and the disconnect between the public and the media.

CC, in partnership with Google News Initiative, created CC’s Open Journalism webinar series and training, ‘Ground Truth in Open Internet.’ This training, and the subsequent report, Journalism Research: From Broken Revenue Models to Embracing an “Open” Ethos was created after surveying and conducting focus groups with over 500 journalists from 18 countries to better understand journalists’ needs during this turbulent time as digital news rapidly changes.

The survey and in-depth focus groups found that disruption to local news media revenue has damaged access to accurate information and made it more difficult to combat disinformation. Participants raised four challenges related to the broken revenue model: misinformation and disinformation, the proliferation of online abuse, loss of trust in journalism, and the increasing difficulty of making a living from journalism.

The loss of local newspapers in many places has led to a disconnection between the public and journalists which has partly contributed to the decline in trust. The proliferation of paid-for content has been necessary to maintain the industry but has also led to barriers being erected around news and information that could help to combat misinformation.

Many journalists feel “ground down” by the threats that are targeted at them and, in countries where violence can sometimes be a feature of political debate, some journalists spoke of their fear of being attacked and how that can have a chilling effect on public debates.

The report also found that editorial independence of journalists in the Global South is under threat, with an increasing reliance on advertising income from governments to fund their work.

Journalism is a form of public service, critical to all of us. Unfettered access to verified information is essential for a healthy information ecosystem – essential for democracy. Yet, journalists face threats to their physical safety and online wellbeing, broken revenue models, the closures of local news outlets, and declining trust among readers. Misinformation and disinformation campaigns in the media challenge collective notions of ground truth. They also challenge the bedrock and meaning of an open internet.

Tackling the challenges facing journalism

CC seeks to advance universal access to knowledge and culture, and foster creativity, innovation, and collaboration. The report shows that more thought needs to be given to how quality journalism can be funded – while keeping it accessible and open to people around the world. It is a critical time to support journalists in their efforts to provide verified information, investigate our shared challenges, and bring essential health, environmental, and political facts to everyone.

In surveys and focus groups, participants noted a need for high quality and open data, and for open, freely accessible content. Journalists also said there is a need for training on digital media literacy and community-driven open source platforms, as well as peer-to-peer collaborations with other journalists.

There is a significant appetite for more access to openly licensed content and public domain research, showing that there could be wide interest in Creative Commons licensed works to help tackle the challenges facing journalism.

Key statistical findings from surveys:

84% of respondents agreed that disinformation – deliberately misleading or biased information; manipulated narrative or facts; propaganda – is affecting quality and accessible journalism. (85% said the same of misinformation – false information that is spread, regardless of intent to mislead).
74% of journalists said they have personally encountered barriers to providing quality and accessible journalism.
56% said their audience has lost trust in all or most media due to misinformation/disinformation campaigns.
62% said they would like to learn more about copyright, indicating there is an interest in Creative Commons licensed works.

Jennryn Wetzler, Director of Learning and Training at Creative Commons, said, “Now is a critical time to support journalists in their efforts to provide verified information, investigate our shared challenges, and bring essential health, environmental, and political facts to everyone. While Creative Commons cannot address many of the challenges journalists face, we believe that principles and practices of an open internet can help journalists in some of their public interest work. From crowdsourcing information on open source platforms, to using CC licenses to increase access to a particular story, applying open internet practices can help free the flow of critical information to empower journalists and citizens around the world.”

Ground Truth in Open Internet Project Methodology

The project consisted of an international survey of more than 500 journalists in seven countries and a series of five focus groups across 14 countries, which allowed us to explore some of the issues raised in more depth. Across both the poll and focus groups, we spoke to journalists operating in:

Following global research, Creative Commons’  ‘Ground Truth in Open Internet’ webinar series hosted discussions among journalists, activists and information sharing organizations. Speakers provided examples of open internet practices paired with successful alternative revenue models in global journalism. Creative Commons also offered a half-day training providing:

Open content in journalism

CC supports independent news and we know our licenses play an impactful role in sharing it. During the series, speakers highlighted alternative revenue models and how CC licenses can be used to further the spread of quality information.

Joel Abrams of The Conversation U.S. noted: “Because of the CC licenses on our articles, 60% of authors get contacted by other media agencies [for additional stories]…Forty to 50% of our traffic is through republication. So by the Creative Commons [licenses] we are doubling our outreach.”

Among organizations providing open content in journalism, which the report highlights is Meduza, the largest independent news site in Russia. 

We laud Meduza for its powerful uses of CC licensed content in particular.  After CC licensing over 100 investigative journalism articles in a successful campaign to free journalist Ivan Golunov in 2019, Medusa is now CC licensing all coverage around the war in Ukraine to combat censorship and misinformation

CC supports all independent journalists working to provide open, fair coverage of the war. Our licenses and legal tools are at their disposal.  

 Conclusion

Journalism as we know it faces existential new challenges. Increasingly, journalists face work-halting financial and ethical challenges, as well as threats to their physical and digital safety, when sharing information online. Misinformation and disinformation campaigns in the media challenge collective notions of ground truth. They challenge the bedrock and meaning of the open internet and of the principles on which free and democratic societies are built.

On the other hand, journalism also faces newfound opportunities, as the tectonic plates of power shift in our shared digital landscape. We witness the rising role of nonprofit, independent, community-based media sources, filling gaps where traditional media organizations have shuttered; the rising power of crowdsourcing information and fact checking, and a powerful new role an open internet can play in sustaining the fundamental right to access to information and better knowledge sharing.

While there is no “silver bullet” or simple solution to the interrelated challenges, alternative revenue models paired with open sharing of content, transparent, participatory processes and other open practices begin to address some of the interrelated challenges journalists face. CC supports independent journalists and we know our licenses can play an impactful role in their better knowledge sharing practices.

 

The post Global Report on the State of Journalism Released appeared first on Creative Commons.

Episode 20: Open Culture VOICES – Marco Rendina

jeudi 7 avril 2022 à 16:35
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Welcome to episode 20 of Open Culture VOICES! VOICES is a vlog series of short interviews with open GLAM (galleries, libraries, archives, and museums) experts from around the world. The Open Culture Program at Creative Commons aims to promote better sharing of cultural heritage in GLAMs collections. With Open Culture VOICES, we’re thrilled to bring you various perspectives from dozens of experts speaking in many different languages on what it’s like to open up heritage content online. In this episode, we hear from Marco Rendina, the Managing Director of the European Fashion Heritage Association, and senior consultant at Istituto Luce Cinecittà. Marco has been working with museums, archives and libraries across Europe for two decades to support them in their digital transformation, advocate open access, gain extensive experience in the design and implementation of digital libraries, and promote innovation in the cultural heritage sector in Europe.

Marco responds to the following questions: 

  1. What are the main benefits of open GLAM?
  2. What are the barriers?
  3. Could you share something someone else told you that opened up your eyes and mind about open GLAM?
  4. Do you have a personal message to those hesitating to open up collections?

Closed captions are available for this video, you can turn them on by clicking the CC icon at the bottom of the video. A red line will appear under the icon when closed captions have been enabled. Closed captions may be affected by Internet connectivity — if you experience a lag, we recommend watching the videos directly on YouTube.

Episodes will be released twice a week until June 2022. Missed episode 19 of our Open Culture VOICES series? Catch up here >>

The post Episode 20: Open Culture VOICES – Marco Rendina appeared first on Creative Commons.