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#cc10 Featured Platform: Europeana

mardi 11 décembre 2012 à 04:00

Throughout the #cc10 celebrations, we’re highlighting different CC-enabled media platforms, to show the breadth and diversity of the CC world. Today, as we’re talking about governmental and institutional adoption of CC tools, it seemed appropriate to discuss Europeana, the massive digital library of European history and culture.

For people who get excited about open cultural data, one of the most exciting moments of 2012 came in September, when Europeana announced that it was releasing its metadata to the public domain under the CC0 waiver. This release of 20 million records represents one of the largest one-time dedications of cultural data to the public domain.

While the data was previously available through the Europeana website, dedicating it to the public domain multiplies its usability. From the press release:

This release, which is by far the largest one-time dedication of cultural data to the public domain using CC0 offers a new boost to the digital economy, providing electronic entrepreneurs with opportunities to create innovative apps and games for tablets and smartphones and to create new web services and portals.

Europeana’s move to CC0 is a step change in open data access. Releasing data from across the memory organisations of every EU country sets an important new international precedent, a decisive move away from the world of closed and controlled data.

CC at 10: Government Resources + Open Licensing = Win

mardi 11 décembre 2012 à 02:52

On this 10th anniversary of CC, there’s much to celebrate: Creative Commons licenses and tools have been embraced by millions of photographers, musicians, videographers, bloggers, and others sharing countless numbers of creative works freely online. One area of growth in use of CC licenses and public domain tools is for government works. Government adoption of Creative Commons may prove to be one of the most significant movements looking into the future. Said well by David Bollier, “Governments are coming to realize that they are one of the primary stewards of intellectual property, and that the wide dissemination of their work—statistics, research, reports, legislation, judicial decisions—can stimulate economic innovation, scientific progress, education, and cultural development.” If governments around the world are going to unleash the power of hundreds of billions of dollars of publicly funded education, research and scientific resources, we need broad adoption of open policies aligned with the belief that the public should have access to the resources they paid for. At a fundamental level, “all publicly funded resources [should be] openly licensed resources.”

European Parliament

European Parliament (Brussels) / Xaf / CC BY

CC licenses and tools have been implemented by government entities and public sector bodies around the world. And over the last few years, there’s been an increasing focus in governments aligning to the principle that the public should have access to the materials that it pays for. These funding mandates, which require that grantees release content produced with grant funds under an open license, has been a increasingly commons way for governments to support openness. Legislation involving the open licensing of publicly funded educational materials has been passed in Brazil, Poland, the United States, and Canada. The UK has championed an open access policy for publicly funded research under the Creative Commons Attribution (CC BY) license. Governments in Australia and New Zealand have opted for comprehensive open licensing policies for all government-produced works, by default releasing public information and data under CC BY. The Dutch government has taken this one step further, opting to release government information directly into the public domain using the CC0 Public Domain Dedication.

In addition to governments, other publicly-minded institutions like philanthropic foundations and intergovermental organizations are supporting open licensing. Several foundations have already implemented or are considering requiring open licensing on the outputs of their grant funds, including the William and Flora Hewlett Foundation , the Open Society Foundations, and the Bill & Melinda Gates Foundation already require their grantees to release content they build with grant money under open licenses. And CC continues to explore how to evaluate current copyright policies within the foundation world and suggest how foundations (and their grantees) can benefit from open licensing for their grant funded materials. Intergovernmental organizations like the Commonwealth of Learning and the World Bank have adopted open licensing policies to share their publications too.

Open advocates – whether it be in support of open sharing of publicly funded educational materials, open access to scientific research articles, access to a huge trove of cultural heritage resources from libraries and museums, or open licensing for public sector information and government datasets – have been increasingly active over the last few years, particularly in working to educate policymakers about the importance and benefits of open licensing. These efforts include the development of declarations such as the Budapest Open Access Initiative, Cape Town and Paris Declarations on Open Educational Resources, the Washington Declaration on Intellectual Property and the Public Interest, the Panton Principles, and many others. Advocates have been key in communicating the need for governments to consider open licensing, whether it be for federal agencies, governing bodies like the European Commission, or through multilateral negotiations such as WIPO. And the grassroots open community has been extremely active in raising awareness of open licensing, whether it be through the tireless work of CC Affiliates, the broad network of open data activists from the Open Knowledge Foundation, legal experts championing Open Government Data Principles, and persons participating in events from Open Access Week to Public Domain Day. All of these actions have rallied around the common theme that governments and public bodies should release content they create or fund under open licenses, for the benefit of all.

Since the beginning of Creative Commons, governments and public sector bodies have leveraged CC licenses and public domain tools to share their data, publicly funded research, educational and cultural content, and other digital materials. But if adoption of CC licenses on behalf of governments has not been a core mechanism for proactively sharing resources, promoting effective spending, and championing innovation, it is clearly now central to any forward-looking strategy. A massive amount of work is ahead, and with a committed community of advocates, interested governmental departments, and open minded policymakers, we can together work toward a close integration of open licensing inside the public sector. If we do so, governments can better support their populations with the information they need, increase the effectiveness of the public’s investment, and contribute to a true global commons.

Dublab Celebrates #cc10 with a New Music Mix

mardi 11 décembre 2012 à 00:02

In celebration of the tenth anniversary of Creative Commons, our good friends at Dublab created an awesome #cc10 music mix. The continuous blend includes 22 tracks by esteemed artists like Bradford Cox, Lucky Dragons, Nite Jewel, Dntel, and Matthewdavid. The mix is available for free download and is available to the world under CC’s BY-NC license.

Creative Commons and Dublab have a long history of working together, and Dublab is behind a wide variety of amazing and inspiring CC-licensed music and visual art. Learn more by visiting Dublab’s website and reading about some of the projects Dublab and CC have collaborated on.

Below are the track listing and a SoundCloud widget for Dublab’s #cc10 mix. Download and share it!

[01] Carlos Niño & Miguel Atwood Ferguson – “8 Moons Blue”
[02] Nobukazu Takemura – (Unknown Title)
[03] Lucky Dragons – “13″
[04] Nite Jewel & Julia Holter – “What We See”
[05] Yoko K – “Into Infinity ‘Ear’ Loop #1″
[06] Golden Hits – “Pillowillow”
[07] Tujiko Go – “Into Infinity ‘Ear’ Loop #1″
[08] Yuk. & Teebs – “Estara”
[09] asonic garcia – “Endless Realm (Bun/Fumitake Tamura remix)”
[10] Dntel – “Guardian”
[11] Wake – “Duckbag”
[12] Javelin – “dublab decade jamz”
[13] DJ Lengua – “Waterbeat”
[14] Derrick Winston – “Jawhar”
[15] James Pants – “Tonight, By The Moonlight”
[16] Matthewdavid – “Jingle 3″
[17] Kentaro Iwaki – “Into Infinity ‘Ear’ Loop #5″
[18] Lucky Dragons – “Real Fire”
[19] High Places – (Unknown Title)
[20] Bradford Cox aka Atlas Sound – (Unknown Title)
[21] Feathers – “Eldritch”
[22] The Long Lost – “You Own Backyard”

CC10: Day 4

lundi 10 décembre 2012 à 18:43


CC 10th Anniversary / Creative Commons Philippines / CC BY

On day 3 of our CC10 celebrations we focus on film.

David Evan Harris tells us about Global Lives, a collective of filmmakers worldwide building an open source video library of human experience.

We talk to Blake Whitman, VP of Creative Development at one of the world’s largest video sharing platforms, Vimeo, about why Creative Commons is an essential tool for creation in the digital age.

Finally, we delve into Blendernation, the free open source 3D animation community built around the Blender platform, with Renderfarm.fi‘s Big Buck Bunny Loves CC.

#cc10 Featured Content: Global Lives Project

lundi 10 décembre 2012 à 07:24
David Evan Harris

David Evan Harris / Joel Young / CC BY-SA

Video artist and activist David Evan Harris sees sharing as a key component of his work. “The fact that we use Creative Commons licenses to guarantee that our work is in the commons is an essential ingredient in the production itself,” he told me. “It communicates something to our volunteers and people who work with us. It communicates that it isn’t about enriching one person, and it’s not about producing a proprietary work that only a few people will see.”

David is the founder and executive director of the Global Lives project, an organization that produces videos documenting the lives of people around the world. The project’s first undertaking consists of ten videos – each following one person for 24 hours, with no cuts. Global Lives presents the videos in the form of gallery exhibitions, with the ten videos playing simultaneously. In essence, the visitor is creating her own remix of all ten videos by choosing what to watch as she wanders through the exhibition (if you were at the CC10 celebration in San Francisco, you got a taste of the exhibition on the fourth floor).

But Global Lives isn’t just a gallery exhibition: the videos are available online as complete, uncompressed downloads. Nor is it just art. Lately, in fact, David’s been most interested in its potential in the education world.

Global Lives

Global Lives / David Kindler / CC BY

Part of what’s striking about Global Lives is the possibilities for use that go far beyond its original context. Global Lives videos have been used by educators all around the world, some of whom have even gone so far as to create their own cuts of Global Lives videos to demonstrate certain ideas to their students – a video of all ten subjects eating breakfast, for example, or coming home from work. Peace Corps volunteers have used Global Lives videos as training before leaving on assignments. “One of our translators is a Malawian who lives in the UK, and she shows the Malawi video to her daughter as a bedtime story, so her daughter can get an idea of what it would be like to grow up in Malawi.”

Talking with David, his excitement about these uses is contagious. He showed me a mock up of a site redesign that he and his team are working on. In the new Global Lives site, users will be able to watch multiple videos at once, leave timestamped comments, and even create and share their own mixes of Global Lives content. It’s amazing to see so many possibilities for sharing and reuse grow out of a simple idea – that watching how people live helps you understand them.

Global Lives is now gearing up for a second set of videos – this one called Lives in Transit and focusing on the lives of people who work in transportation – and asking for donations through Kickstarter.