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Lively Discussions at the CC Summit Author Salon

mardi 16 mai 2017 à 20:45

Andrew Malcolm is an author and a freelance communications specialist. His creative writing is published on his website, along with his author bio.


When I walked into the large ballroom to attend the author salon, I was pleased to find the attendance was modest enough that we could sit with all three authors in a circle and have a discussion that, as Paul Stacey described at the end of the session, “Felt more like a podcast than a workshop.” With each question igniting long conversations, and the discussions ultimately illustrating shared objectives and processes behind the three books, we all walked away happy to have the lively dialogues recorded, if not on our computers, at least in our memories.

The authors of the three books, Paul Stacey and Sarah Pearson, Maira Sutton, and Matt Thompson write about the commons, sharing, and economic models for working open. While Stacey and Pearson’s book Made with Creative Commons was the only one completed and in the hands of every attendee, all three authors shared intimately about their process as creators. Paul began the salon and said, “We started writing a book about open business models that were successfully earning profits, but as we interviewed entrepreneurs, creators and organizational leaders using CC licenses, we were surprised to find that our initial framework for understanding their success was misguided. Yes, they were earning profits, but that was never the objective of the work – their objectives were always something more socially conscious, and their earnings were meant to sustain the pursuit.”

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Maira Sutton, talking about sharing cities, said she hoped to see the same diversity of objectives take the place of profiteering in our economies. As Manager of Community Engagement at Shareable, she campaigns to promote sharing and solidarity economics, and is working with them on a book called “Sharing Cities: Activating the Urban Commons” – a collection of case-studies and policies that exemplify commons-based sharing services.

Matt Thompson, a Mozilla Fellow, also introduced his book as one that advocates for a change in the way people work, though some specifics were still coming together: “My book is called Working Open: And I’ve had about a million ideas for a subtitle, but nothing solid yet.” All three projects seemed to bring surprises in the research that changed the author’s own understanding of what their work was illustrating, so a constantly shifting subtitle was understandable. Matt is interviewing people who are part of the most exciting open source projects and writing about how they are exemplifying the power of collaboration.

Needless to say, I was thrilled to have a chance to speak with authors who are working on the leading edge of a new era in publishing and licensing, but our conversation quickly turned to the biggest challenge each author faced – overcoming resistance to change.

Maira said, “What we want to do is convince cities to create policies that regulate the sharing economy so that they’re more conducive to community organizations, non-profits and coops. Still today most people think of companies like Uber and Airbnb when they think of the sharing economy, but their profit only objectives are proving to be bad for fairness, equality, and even safety for both providers and customers.”

Matt asked Maira, “Do you find city counsellors and policy makers are resistant to changing the rules to accommodate grass roots movements instead of companies?” This is how we know when an author salon is going well – when the authors start asking each other questions.

“Yes, but once we can point to other projects that are successful, they become much easier to convince. They’re just trying to make decisions that are best for the city, but it’s difficult for policy makers to decide to do anything new themselves. Once you can show that other cities have adopted policies and projects that work, that bring real value to their citizens, then it’s easy to get them on board,” she responded.

Matt said, “That’s what I find with many of the business leaders I’ve interviewed. The idea of working open, of revealing all their companies’ secrets and inviting outsiders in, really scares them. But they’re starting to notice that working open is actually creating the best possible products, that Wikipedia really is the best knowledge resource ever created. And despite GM and other large corporations investing heavily into developing the best self-driving cars, it’s OSVehicle’s open source platform for Edit that’s set to lead the way for the industry.”

Photo by Svetlana Yermakovich, CC BY

The three books advocate to different audiences: Paul and Sarah’s to creators and organizations that could benefit from applying Creative Commons licenses to their products, Matt’s to business leaders who would benefit from creating open-work environments, and Maira’s to civic leaders who could create true sharing cities. Despite the disparate audiences, by the end of the session a commonality emerged – it’s examples and case studies that are most effective at changing minds and showing the value of commons-based approaches.

There are already people and organizations around the world working to ensure that the global economy is driven by something more than profits and growth. But they’re still the minority, and if that’s ever going to change, clearly we need to keep looking for those who are on the leading edge of social justice movements and telling their stories. Those stories can show leaders that objectives based in achieving equal rights to housing, food, knowledge, a sustainable environment and all our hopes for social change are already driving people to innovate and create with far more originality and ambition than ever before.

The post Lively Discussions at the CC Summit Author Salon appeared first on Creative Commons.

Creative Commons Summit 2017: Coming together as a community of gratitude and sharing

lundi 15 mai 2017 à 20:29

Gratitude brings lasting transformative change and greater well-being to communities through providing recognition, reflection, and grounding. Creative Commons focuses on uniting a community of makers in gratitude, and this year’s CC Global Summit was reflective of this focus as well as our renewed organizational mission “to build a vibrant, usable commons powered by collaboration and gratitude.”

From April 28-30, nearly 400 commoners gathered in Toronto, Canada in support of the commons for three days of connecting, collaboration, and debate. The summit outlined some big, audacious goals for the commons, and the community showed its enormous capacity to rise up to meet them. Together we completed the network strategy discussions to grow our movement, began designing collaborative platforms for shared global action, had hundreds of vital discussions on copyright reform, technology, education, science, and so much more.

As facilitators of the summit, we sought to maintain an inclusive, inviting space for our participants as well as thrill and delight our community and friends. While the sessions were certainly informative, other projects like the Se Oye Libre radio station, which streamed live during the summit and provided interviews and music all day, were a fun and invigorating glimpse into the incredible work our communities are doing around the world.

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What makes the Creative Commons community unique is its diversity of scope and geographic breadth. From artists to activists to copyright wonks, there was truly something for everyone at the summit. In addition, through collaboration with projects like Virtually Connecting, our major scholarship program, and Gender Avenger, we encouraged participation from around the world from a variety of perspectives.

In this spirit, we opened the summit with an invocation to gratitude and an opening of the space from Whabagoon Walker, an Ojibway indigenous elder who taught us the word “Meg-wetch,” giving thanks to all around us. Deb Matthews, Deputy Premier of Ontario shared Ontario’s plan for becoming “open by default” and the government’s role in facilitating the move. Her invigorating talk was followed by David Lametti, Parliamentary Secretary to the Minister of Innovation, Science and Economic Development, who encouraged openness as part of a balanced copyright regime in Canada.

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Creative Commons CEO Ryan Merkley’s opening speech outlined three main tenets in order to guide the summit and the community’s course: Everything is political, no small fights, and collective acts. These statements are at the core of his vision for Creative Commons and help us perpetuate a culture of openness. In order to underscore the importance of gratitude, Ryan also revealed a new bronze CC pin that is not for sale, but rather given as a gift to people who are promoting a culture of gratitude in the community.

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Image by Sebastian Ter Burg, CC BY

Other highlights of the opening session included an unveiling of a project by CC Canada Public Lead Kelsey Merkley called “Uncommon Women,” a coloring book of illustrations of some of the women who are most important to us as an organization and network. In addition, Jane Park announced the release of the 2016 State of the Commons, our largest annual report yet. Our thanks to all the translators, volunteers, and community members who participated in this project.

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The opening session concluded with a surprise unveiling of the #NEWPALMYRA tetrapylon, a collaboration with Austin 3D printing company re:3D that brings to life the work of CC Affiliate Bassel Khartabil, who has been missing in Syria since 2015. The CBC was on hand and released a documentary and article about the stunning event.

Photo by Sebastiaan Ter Burg, CC BY

After admiring the tetrapylon, participants came back for a presentation that celebrated the conclusion of the development of CC’s new Global Network Strategy from Board Chair Molly van Houweling, Ryan Merkley, Evelin Heidel (Scann), Delia Browne, Alek Tarkowski, and Claudio Ruiz. With the strategy now complete, the hard work of community implementation begins.

Scann’s discussion of diversity was particularly important to the discussion as she encouraged participants to rethink their privilege and enable new global voices in the community.

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After lunch, participants broke out into to a number of sessions in the five tracks: Usable Commons, Community and Movement, Policy and Advocacy, the Future of the Commons, and Spheres of Open. Highlights from these sessions included our Awesome Funded project “Copywrong,” which discussed copyright in performing arts spaces, an overview of Anna Mazgal’s research into what makes Creative Commons communities work, Paula Eskett’s talk on CC for education, and Maira Sutton’s talk on Sharing Cities, a new initiative from Shareable. Jesse von Doom from CASH music also ran a popular session on CC in the arts community.

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We ended the day with a surprise talk from Barry Threw of #NEWPALMYRA on creative reuse in cultural heritage and community autonomy through digital openness. Matthew Fielder of re:3D closed out the day by demonstrating how his team built the tetrapylon over 800 hours with the Gigabot 3D printer. Fielder’s talk also focused on how his company emphasizes social good, community, and openness for innovation.

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Even our breakfasts were active – the Summit Newbies breakfast led by Simeon Oriko attracted a new form of summit self-expression: self-portraits!

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Among the many exciting sessions at the summit, one highlight for participants on Saturday was the joint publisher’s session on three CC licensed publishing initiatives for early readers around the world. Saturday morning also included a session from Kelsey Merkley on making a living while working open, one on text and data mining, and one on CC’s role at the World Bank.

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Before lunch, we had our first keynote from diversity activist Ashe Dryden called “Time Traveling: A Primer,” which discussed why compassion and sharing is more important than efficiency in building a better world. Dryden discussed the importance of intent and positivity in our communities as we struggle to reconcile the future of tech. Dryden emphasized “sustainability” and inclusivity” in communities and she drove the point home through an entertaining and often humorous talk. Oh, and there were also buff shark people.

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During lunch, the filmmaker Robin McKenna graciously stopped by to screen early footage from her film GIFT, based on the Lewis Hyde book The Gift. McKenna spoke beautifully about the gift cultures around the world and shared some thoughts with Ryan Merkley about her journey to filmmaking.

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After lunch, Sarah Pearson and Paul Stacey presented the first copy of their book Made with CC to the Toronto Public Library in a presentation with Pam Ryan, representing the largest library system in the world. Next, we heard a keynote by Sarah Jeong, a lawyer and journalist who Sarah Pearson of CC claimed has “The rare gift of being both very funny and a lawyer.”

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Sarah Jeong’s incendiary talk “This is the way the world ends” was a fitting complement to Ashe Dryden’s future-forward talk. In her talk, Jeong outlined the issues with the current media landscape, which privileges clicks over meaningful content, encouraging participants to “fight against the monopolization of speech that exists purely for economic gain.” Creative Commons, in her estimation, “helps fight against the monopolization of our channels of speech that exist solely for economic gain.” She concluded by asserting that “Creative Commons is a way out… it’s not a hobby, it’s a moral imperative.”

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Still buzzing from Sarah’s keynote, we heard talks about kickstarting a copyright platform for CC, continued Virtually Connecting, and enjoyed a vibrant “Messy Market” for creators and CC enthusiasts alike! Read more about Virtually Connecting on our blog.

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Another highlight of the afternoon was the Made with Creative Commons author discussion, where Sarah Pearson and Paul Stacey discussed their process as collaborators with Ryan Merkley.

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After an entire day of activities, we just couldn’t get enough, so we ended the evening with a rad party from the listener supported nonprofit dublab and international DJs Basic Soul Unit and Invisible City.

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Photo by Sebastiaan Ter Burg, CC BY

The next morning, it was breakfast again!

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Some highlights from the Sunday morning talks included a discussion on CC’s legal infrastructure with Diane Peters in order to kick off a collaboration for legal initiatives around the world. The same set of talks also brought us a discussion on teaching 3D printing as a means of teaching entrepreneurship with the New York Public Library and Shapeways.

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After the break, we had talks from Laura Hilliger, who discussed community-based design at Greenpeace and the importance of community collaboration as well as from Capture Canada and Unsplash, two Canadian platforms revolutionizing photography.

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Our last keynote block opened with Ana Garzón Sabogal, a free culture activist and educator in Colombia in conversation with María Juliana. Sabogal spoke about her work in post-conflict zones in Colombia and advocating for openness through storytelling and coalition building.

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Our final keynote was Hillary Hartley, Chief Digital Officer of Ontario, a last-minute keynote addition who definitely delivered! She spoke of the lessons she learned at 18f while leading a team for digital services delivery for the United States Government. In a compact, smart talk called “Transforming Government Through Openness,” she encouraged the audience to “lead by example” to transform digital spaces. Hillary’s talk discussed how “thinking like a designer” and creating an open door policy can lead to big, transformative change.

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At the heart of Hillary’s work is people, and in going “open by default,” her team is truly changing government from the inside out.

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Our final few blocks of talks included sessions on patent reform, user rights, usability, and Latin American Communities. It also included a series of platform discussions on Big Thinking about the Commons, Open GLAM, and Open Education.

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On Sunday evening, we came together one last time, and our intrepid event photographer Sebastiaan ter Burg surprised us with a short video that featured our portraits from his photobooth! We’ll be sharing out a more polished version of the video soon. Check out more of Sebastiaan’s photos on Flickr.

In the spirit of the commons, we the CC Global Summit ended with gratitude: for our event coordinators, to our staff, for our affiliates and volunteers, and finally for ourselves. Together we made this happen, and we couldn’t have done it without all of our friends and supporters.

See you next year, CC. We can’t wait.

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Mainstreaming OER in Latin America and The Caribbean

lundi 8 mai 2017 à 23:13
Participants at the Latin America and Caribbean Regional Consultation on Open Educational Resources. Photo by the Commonwealth of Learning, CC BY 4.0

The fifth Regional OER Consultation for the Latin America and Caribbean region was held in Sao Paulo, Brazil on 3rd-4th April. The event was in preparation for the 2nd OER World Congress that will be held in Ljubljana, Slovenia in September of this year. The meeting was organized by the Commonwealth of Learning (COL), alongside partners UNESCO, University of Campinas, the Government of Slovenia, and made possible by the generous support of the William and Flora Hewlett Foundation. The event brought together 31 government officials and key education stakeholders from 18 countries to discuss concerns and issues for mainstreaming OER to support inclusive and equitable quality education.

The opening session was launched by President and CEO of COL, Asha Kanwar, and Joe Hironaka, OER Programme Specialist from UNESCO Paris. There were also remarks made by Brazilian officers demonstrating why Brazil is the most vanguard country on OER policy in the region. The Brazilian Ministry of Education announced that it will soon discuss a federal bill where all educational resources would be made available under open licenses. Meanwhile, the Secretary of Education of the São Paulo local government talked about the 2012 state bill that required all educational resources funded by the public to be openly licensed and outlined the challenges to promote innovation and a new education culture of sharing and knowledge building.

The technical sessions began with the presentation of Mrs. Kanwar, who emphasized that COL believes that learning must lead to sustainable development as outlined in Sustainable Development Goal 4 (SDG4). It was argued that early reports revealed that many countries would fall behind the 2030 target to achieve the Sustainable Development Goals. As such, innovative approaches are instrumental to achieve both speed and scale. In addition, she stated that OER has a tremendous potential for increasing access and mitigating the cost of quality education.

Mrs. Kanwar presented an overview of the surveys to governments and educational stakeholders currently in progress to provide a context for detailed deliberation. These surveys show a significant interest for developing national OER policies throughout publicly-funded programmes and projects that promote flexible learning that increases access, efficiency, and quality of educational resources. Alongside the potential benefits, the barriers to mainstreaming OER relate to insufficient access to quality content, lack of users’ capacity, lack of appropriate policies, changing business models, and language and cultural barriers.

OER UNESCO Chair and local host from the University of Campinas, Tel Amiel, followed with remarks that Latin America and the Caribbean is at an early stage regarding the adoption of OER. Although many of the countries in the region do show high use and practices of digital resources like remixing and open licensing, he pointed to two main reasons why there is delayed uptake: lack of visibility, and a lack of mobilization/articulation. There is a challenge to expose more and better OER initiatives within the region like the higher education open textbook initiative LATin, funded by the European Commission that gathered 12 countries, 9 from Latin America, or TEMOA, a knowledge hub and multilingual catalog of OER for Mobile Learning. EducAR, the national repositories of digital resources for K-12 education in Argentina, is the first repository to include an institutional OER policy (adopting the CC BY-NC-SA license) for most of the resources. This should be an example for other Latin American countries, specially being a member of Latin American Network of Educational Portals RELPE and the Iberoamerican Network for Educational Repository Usability RIURE.

Regarding mobilization/articulation, the OER initiatives of the region need to be better identified, for example through a project that maps OER activities as the OER Worldmap, where only two countries (Chile and Brazil) have “champions” to upload OER data. Again, Brazil leads the way with the recently launched Iniciativa Educaçao Aberta, kickstarted by the UNESCO Chair at UNICAMP, and the Educadigital Institute, which brings together productions, academic research, publications, repositories, distance-learning, and other projects in Brazil.

The OER UNESCO/ICDE/COL Chair, Rory McGreal, highlighted one of the biggest educational challenges for all countries: by 2025 there will be an increased demand for learning from 98 million new students. To meet this demand there would be a need to establish 4 traditional universities per week, an impossible task, so it’s urgent to develop and deploy new forms of teaching and learning to meet this tremendous future demand.

Even as we begin to address this incredible challenge, we face tremendous opposition from the traditional copyright industries. Mr. McGreal gave a brief history that copyright (or similar notions of it) going as far back as the 6th Century have attempted to restrict access to information and knowledge. But he advocated that copyright should be a tool to build the right balance between the “encouragement of learning” to society and the rights of authors and creators. OER, understood as technology-enabled, open provision of educational resources for consultation, use and adaptation by a community of users, clashes against the currently-unbalanced copyright rules. Copyright law frustrates potential new educational uses of copyrighted works, such as remixing to create a new resources, adaptation to varied learning contexts, extraction to remove assets, localization and translation to other languages or reuse/repurpose of the resources. Copyright is an obstacle to assemble or “deboning” OER in courses, especially for e-learning settings, further complicated by digital rights management (DRM) and restrictive digital licenses.

I work at the Library of National Congress of Chile, and followed with the challenges related to designing and implementing an OER policy. Presenting two real cases from Chile, a frustrated experience with personalized web-based platforms and the corrupted/poor quality public textbook market, I highlighted the first challenge for OER policy is to approach today’s educational challenges with specific, pragmatic, sustainable solutions at different levels guided by the OER principles and open practices. The necessary condition to shape OER as a response to educational challenges is OER capacity building for all education stakeholders.

Regarding capacity building, a major initial task is to advocate for the benefits and potential—and also address risks and barriers—of openness in educational processes for teaching and learning. This focus on the outcomes of the educational process is part of a maturity of the process of how openness impacts education, where as 5 or 10 years ago the focus was on infrastructure, licensing, and creating a volume of resources. There is a growing body called “Open Educational Practices” and “Open Pedagogies” emerging through the use of digital technology, a true reflection on how openness catalyses innovation. As we advocate for the massive potential of OER, we also have the opportunity to correct partial or misleading notions about “openness”, as there is still much confusion related on what openness is and how it relates to education.

Another issue around capacity building for stakeholders is to support them with resources and tools for OER Policies, such as COL’s Guidelines for Open Educational Resources for Higher Education, the Institutional OER Policy Template, the OER Policy Development Tool, the OER Policy Registry, and other excellent resources for college and university governance officials. UNESCO’s OER Country Policy Template is a tool that articulates the goals of the policy, outlines the purpose and rationale of the policy, and provides information on why the policy is necessary and what it will accomplish. Another venue for information sharing and action is the Open Policy Network (OPN), whose mission is to foster the creation, adoption and implementation of open policies and practices by supporting advocates, organizations and policy makers. The OPN is responsible for the Global Open Policy report that tracks the spread of open policies around the world with a systematic overview of open policy development, as well as the Institute for Open Leadership that trains new leaders on the values and implementation of openness in licensing, policies, and practices.

Research is also today an important asset for OER advocacy and policy-making. There is a growing body of evidence and recommendations on the process of adoption and impact of the use of OER in educational settings, with initiatives like the PhD student GOGN network, the OER Research Hub from the UK Open University, the Open Education Group in the U.S. Increasingly pertinent to developing and emerging countries is the Research on Open Educational Resources for Development ROER4D, a evidence-based research project from 26 countries in South America, Sub-Saharan Africa, Middle Asia and Southeast Asia, with the objective to improve educational policy, practice, and research in developing countries by better understanding the use and impact of OER.

The final issue around capacity building for all education stakeholders is the need to build a compelling and encouraging narrative about the benefits and potential of OER. A good example is the Open Washington OER Network that features videos of grassroots reports from the field, end-user practices in the use and impact of OER, and policy videos with interviews with experts in various areas of OER. These are woven into a series of multimedia presentations on Open Education policy strategy, implementation, and vision.

I closed by exploring the Open Government Partnership as a platform to advocate for OER policy, especially as countries begin to include education in their action plans. I highlighted initiatives from Chile and Brazil working to do this.

These presentation were followed by exciting and thoughtful group discussions with all the participants to focus on concrete action, such as strategies for mainstreaming OER and exploring national OER practices to tackle SDG4. Also drafted was a list of commitments that will to added to and synthesized for the global report leading up to the World OER Congress.

Read the full report from COL here.

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Sharing a lost city: An innovative collaboration with re:3d and the New Palmyra project

vendredi 28 avril 2017 à 16:45

Together with re:3d, an Austin-based 3D printing company, and the #NEWPALMYRA project, a community platform dedicated to the virtual remodeling and creative use of architecture from the ancient Syrian city of Palmyra, Creative Commons has produced a 200 pound, 7.5 feet tall 3D rendering of one of the Palmyra Tetrapylons. This rendering will be on display at the Creative Commons Global Summit in Toronto, CA from April 28-30, bringing the commons to life through the work of its community.

This large-scale rendering is one of the four quad-column pylons, or gateways, that would have marked a central place in the city. Palmyra is a desert oasis, a UNESCO world heritage site, and is considered one of the most important global archaeological sites. Since 2015, large sections of Palmyra have been destroyed by ISIL and many of its precious artifacts lost or sold on the global market.

In January 2017, it was confirmed by satellite imagery published in the New York Times that Palmyra’s ongoing destruction by ISIS continues – including this section of the Tetrapylon.

bassel-palThe #NEWPALMYRA project was begun in 2005 by CC Syria leader Bassel Khartabil, a Palestinian-Syrian open source software developer, educator, and free culture advocate. Working with the publisher Al-Aous and a team of artists in Damascus, Khartabil began remodeling the endangered ruins of Palmyra in 3D until 2012, when he was unlawfully imprisoned by the Syrian government. Much of this work was never published, though Bassel was committed to its free dissemination and use. In 2015, Khartabil was sentenced to death by the Assad regime. His whereabouts remain unknown.

A nonprofit founded by Bassel’s family, friends, and community, #NEWPALMYRA is freeing Syrian culture digitally, providing agency and advancement for the Syrian people through cultural heritage and digital preservation. Khartabil’s visionary work ignited a community that stands for transparency, openness, and free culture and continues to grow via the remix, reuse, and sharing of his foundational work.

In the words of Ryan Merkley, Creative Commons CEO, “Creative Commons wanted to bring the commons to life for its 2017 Summit in Toronto. CC brought Austin-based re:3D together with the #NEWPALMYRA project team. The Gigabot, re:3D’s spectacular printer, renders massive models at commercial quality. Together, we produced a huge replica of one of the models of Palmyra: the Tetrapylon.”

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re:3D began with a digital 3D model of Palmyra provided by the #NEWPALMYRA team and transformed the digital into the physical using their Gigabot printer, which uses a rope-like filament resembling hot glue to precisely build the model layer by layer. Each layer is between .2-.6 mm thick, depending on layer of detail. The entire structure was assembled from 25 separate pieces with an internal wooden frame for support. It weighs 91kg and took about 800 hours to print.

As an in-kind sponsor of our Global Summit, re:3D Inc. participated in the project pro-bono, including the development, design, printing, and shipping of the final model to Toronto, Canada. re:3D is a full service socially focused additive manufacturing company based in Houston, Texas USA.

Creative Commons would like to thank re:3D and #NEWPALMYRA for their collaboration on the project and commitment to the global commons. Follow us on social media for pictures of the display on our Twitter, Facebook, and Instagram.

Ryan Merkley presenting at CC Summit, Photo by Jennie Rose Halperin, CC BY

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Our biggest report yet: State of the Commons 2016

vendredi 28 avril 2017 à 14:02

Today marks another milestone for the commons: the release of the 2016 State of the Commons, our annual deep dive and celebration of the global community working to further collaboration, creativity, and access to creativity and knowledge.

This year’s report goes beyond data and metrics to focus on the people that power the commons in every region of the world. These stories illustrate how our movement is growing and evolving, driven by people who choose to share. The commons continues to grow, with the total number of CC licensed works now at 1.2 billion in 2016, including the increased use of licenses that invite remix, commercial use, and collaboration – up to 65% of all content shared this year.

TL;DR: 2016 was our biggest year yet. From incredible sharing of 375,000 public domain works with the Metropolitan Museum of Art to our massive Global Summit, we’re seeing CC communities organize around renewed focus on movement building, free culture, policy reform, sharing, and global collaboration powered by gratitude.

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The commons is the largest collection of free and open knowledge in the world. In order to bring you this report, we’ve partnered with a handful of the hundreds of platforms that provide CC licensing to bring you more data and user spotlights in a new and attractive format.

In October, we issued a Call for Submissions that asked our community to report on their favorite projects from the commons this year. These impact stories were beyond what we could have imagined: we heard stories of portals that use open data to predict and plan for earthquakes in New Zealand, a citizen-led civic data portal in El Salvador, a series of medical photographs that surfaces the untold struggle for independence against Portuguese colonial rule, and the “world’s most beautiful slideshow” of historic monuments submitted by over 10,000 Wikipedians. These examples, only a few of the many, tell the vibrant and life-altering stories of the people behind the commons.

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Highlights from our partners include the Freeharmonic Orchestra, a group of 12 musicians who met in a virtual room on the Free Music Archive to produce the most collaborative album ever. From our friends at Flickr comes the Multimedia Commons Initiative, where teams of researchers around the world utilize the epic 100 million image dataset to build new applications and explore people’s interaction with places.

With the CC0 public domain dedication tool, we’re actively stewarding and helping grow the public domain, with 92.9 million public domain works to date. CC0 has served a diversity of purposes, this year most notably supporting the release of 375,000 digital works into the commons from the Metropolitan Museum of Art. CC0 has also supported photographers on emerging platforms such as Unsplash, which now hosts a robust community of photographers “giving their work away for free” and gaining exposure and acclaim in the process.

These stories also echo the work we’ve been doing in areas like 3D printing, usability, and global community building. A spotlight on the British Museum, which released 128 models of sculptures from the Roman and Egyptian periods on the 3D design sharing platform Sketchfab and a tale of remix and community among the more than 1.5 million CC licensed objects on Thingiverse is proof that our community is front and center, and it’s working together better than ever.

sketchfab

Lastly, the report itself was translated by 30 volunteers into a dozen languages as part of our efforts to make our community more accessible to international communities.

Like everything else, we truly couldn’t have done it without you. Thank you so much for your support in 2016 and beyond. Read, excerpt, share, and tweet the report at http://stateof.creativecommons.org with the hashtag #sotc.

 

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