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CC Supports Internet Archive’s Efforts to Ensure Public Access to Books

vendredi 8 juillet 2022 à 16:44
Book graphic extraction 1” by rejon is marked with CC0 1.0.

Yesterday, the Electronic Frontier Foundation (EFF) filed a motion for summary judgment calling to reject the lawsuit against the Internet Archive (IA) brought by four big publishers that threatens IA’s controlled digital lending (CDL) program. Creative Commons fully supports this motion. Here’s why. 

The Internet Archive is an American non-profit library preserving and giving access to millions of free books, movies, software, music, websites, and more, with the mission to provide “universal access to all knowledge.”

As we mention in our Open Culture Policy Paper, with CDL, libraries can lend one copy of digitized material from their collection to one borrower at a time, for two weeks or less, just like they would a physical book. Unlike eLending, CDL is about digitized works, not born-digital material. CDL maximizes a library’s ability to loan works, thereby making the entire lending system more efficient and equitable. 

At CC, we believe libraries — and cultural heritage institutions in general — should be empowered to serve as a meaningful access point for publicly funded collections. Free and open access to knowledge stimulates creativity, is essential for research and learning, and constitutes a bedrock principle of free and democratic societies. 

Copyright must encourage CDL and ensure that legal mechanisms are in place to allow this fair practice. As clearly articulated by EFF: “CDL helps ensure that the public can make full use of the books that libraries have bought and paid for. This activity is fundamentally the same as traditional library lending, and poses no new harm to authors or the publishing industry.” 

Books, in all their forms, are a public good. Libraries, whether brick-and-mortar or digital, pursue a public-interest mission. Guided by our strong belief in better sharing, CC will continue to support the IA’s crucial efforts to ensure the public can access knowledge and culture on a global level.

The post CC Supports Internet Archive’s Efforts to Ensure Public Access to Books appeared first on Creative Commons.

Join us for our next round of CC Open Education Platform Lightning Talks!

mercredi 6 juillet 2022 à 14:16

"Lightning Strike" by skyseeker is licensed under CC BY 2.0.

The Creative Commons Open Education Platform community will offer our next round of Lightning Talks, or seven-minute presentations on specific updates or stories in open education. Join the sessions on Tuesday 12 July at 6:00pm UTC. We can’t wait to learn with you!

Location: Join us from wherever you are based! We’ll be using Zoom to host the event. If you haven’t installed Zoom, download it here.

 

 

Our Lightning Talks presentations include: 


“Open Syllabus: UNESCO Recommendation on Open Science” by Jennifer Miller 

“More OER for Free!” by Jonathan Poritz

“Open Climate Campaign” by Dr. Cable Green and Dr. Monica Granados

“Building OER into Capstone Courses” by Carolyn Stevenson

“Improve It Challenge” by Jamison Miller

Watch our last round of Open Education Lightning Talks here >>

The post Join us for our next round of CC Open Education Platform Lightning Talks! appeared first on Creative Commons.

CC Expresses Views on Italian National Cultural Heritage Digitization Plan

lundi 4 juillet 2022 à 17:41

A few weeks ago, the Italian Ministry of Culture issued its National Cultural Heritage Digitization Plan 2022-2023 – Guidelines for the acquisition, sharing and reuse of digital cultural heritage reproductions

While the Plan is welcome as an important step towards the digital transformation of cultural heritage institutions (CHIs), it risks nonetheless restricting, rather than increasing, access to and use of cultural heritage, and having a serious detrimental effect on the public domain, creators’ participation in generative creativity, and society as a whole. 

Together with CC’s Italian Chapter, we have prepared a statement to address crucial points of concerns raised in the Plan, namely: 

  1. The public domain is being unduly encroached upon by an application of cultural heritage law that unduly limits reuse and creativity opportunities against the public interest. Rather, the public domain must be protected, because it enables essential access to knowledge and culture, and fosters creativity.
  2. The creation of a bespoke license (MIT Standard) is inadvisable. CC tools are the established standard used by CHIs, and are important legal and communication tools between CHIs and their users. CC licenses and tools have many benefits over tailored licenses or other bespoke standards. 
  3. The risks of undermining creativity and access to culture are not outweighed by the few revenue opportunities of paid licensing established through application of cultural heritage law. 

Read our full statement >> 

We take this opportunity to reaffirm our commitment to better sharing of cultural heritage and look forward to continuing to support CHIs across the world in fulfilling their public-interest mission of providing access to their collections as openly as possible, on site and online. 

Note: This statement was prepared by Brigitte Vézina, Director of Policy and Open Culture, Creative Commons, Deborah De Angelis, Chapter Lead, CC Italy, and Laura Sinigaglia, Contributor, CC Italy. 

The post CC Expresses Views on Italian National Cultural Heritage Digitization Plan appeared first on Creative Commons.

Here are four key takeaways from evaluating the CC Certificate

mercredi 22 juin 2022 à 22:16

The CC Certificate program helps Creative Commons build professionals’ capacity in open licensing and open practices. The program offers global courses for academic librarians, educators, and cultural heritage advocates; but courses are open to everyone. Through global discussions, course participants work through what it means to engage in an online commons of shared knowledge and culture. 

The CC Certificate program is an investment in the global community of open creators and advocates. It is a tool to support people as proactive participants in our shared digital commons, and strengthen the diversity of creative thought and expression to improve open access to open knowledge and culture. 

But how can we understand the potential impact of this effort on our global community? We explore the CC Certificate programs’ effects on community members through a series of focused measures, such as interviews with alumni who developed a master level courses related to open education, open policies, or openly published a digital collection of artwork, with cultural considerations. We also draw feedback from surveys and workshops.  

In this post, we highlight one evaluation effort analyzing how Certificate course participants’ knowledge changes over the 10 weeks of engagement. We administer baseline and endline surveys to participants on a voluntary basis, in order to: (1) understand if participants develop a greater understanding of our course content, and (2) understand differences between course communities, where participants have more challenges in course content, and what this data might mean for our teaching practices. 

CC works with Jonathan Poritz to track participants’ understanding of course content, and how it changes over time. Learn more about the baseline and endline survey background, methodology and findings in a detailed analysis on Jonathan Poritz’s website. [1]

Below are the top four takeaways from an evaluation of our baseline and endline surveys on copyright, open licensing, and reuse of CC-licensed content supported by our experience facilitating the course. 

Top takeaways: 

  1. While our open culture course (the GLAM Certificate) has not been running long enough to gather meaningful data, we do find participants in the Educators and Academic Librarians courses make significant gains from taking their respective courses. We have statistically significant evidence that the post-test scores are more than 21.2% higher than the pre-test scores, at the 5% significance level. Both the Educator and Academic Librarian participants had fairly similar starting scores, ending scores, and (therefore) gains from taking the course as each other (and the whole group).[2]
  2. The surveys confirm our experience that Unit 4, which covers reuse of CC licensed content, is the most challenging unit for participants. Most graduates score between 80 – 85 points on all units, except Unit 4, where they score around 65 points. What does this mean? We should spend more time and focus facilitating this unit for participants.[3]
  3. On a side note: almost everyone realized they could not provide legal advice following the course. This will make course facilitators chuckle, because we make it a habit to remind participants that we cannot provide legal advice–that’s something shared between lawyers and the clients hiring them.
  4. While this analysis sincerely charms us, we need to contextualize it. These data points show increased knowledge over time, which is arguably the first building block in empowering our communities with the tools they need to take advantage of the “copyright meets digital” landscape. What participants then do with their increased knowledge is crucial.

Ideally, evaluation of Creative Commons training efforts will also feed into a broader conversation about how we can evaluate, learn and adapt in open education training efforts more broadly. Now we see a wonderful variety of professional development opportunities in this field. We expect each of our efforts to be like puzzle pieces, contributing to the larger impact of open education. Ideally, we can track how the CC Certificate can work with other efforts to best support the agency and learning of our global community members. 

We want to thank all of the anonymous CC Certificate participants who volunteered their time to help us with this analysis. 


[1] – Of note: Because the surveys were voluntary, we were concerned about the risk of volunteer sample bias. To rule out one element of this bias, which would show favorable endline survey results in favor of people who were “good students” or on the trajectory to graduate anyway, Jonathan analyzed just the results of participants who passed the course.  We did this to address the potential critique: “maybe the course doesn’t teach anything, but merely convinces the bad students not to take the post-test, so the distribution of post-test scores of course looks better than the distribution of pre-test scores.” We learned that by making a pair of histograms for over-all score before and after the course from only participants who were successful in the course, then they should look pretty much the same.

[2] – Per Jonathan Poritz, if you’re a little rusty in your statistical terminology, most of the graphs in the full analysis are histograms, meaning that the heights of the bars indicate how many scores lie in the range of percentages covered by the base of that bar on the horizontal, “Percent Correct,” axis. For example, the bar in the “Before Course” histogram whose left edge is at location 60 on the horizontal axis has a base going from 60 to 65 on that horizontal axis and height of 13. That means that 13 participants’ pre-test scores were in the range 60 to 65% correct.

The vertical blue line in these histograms is located at the median of the scores for that graph, meaning that half of the scores in that dataset are less than (to the left of) that score, and half are greater than (to the right of) that score: it is a good measure of the “middle value” of the dataset.

The  in the key box in each graph indicates the mean (or average) of that dataset, which is another measure of the middle of data, but means are more sensitive than medians to outliers, meaning that atypical scores way off to one end will pull the mean in that direction but not the median.

The σ in the box is the standard deviation of that dataset, which is a measure of how much variation there is in the data.

The η in the box tells the size of that dataset.

[3] – The term “95% confidence interval” is a standard assumption in applied statistics. The 95% confidence interval is a range of values within which we would expect to see 95% of those sample means if we were to (1) repeatedly collect random samples and (2) recalculate the sample mean each time. If the subset of participants who took the test were a random sample of course participants (rather than a self-selected group of volunteers), then the sample mean would slightly vary every time a new random sample was chosen from among all participants.

The post Here are four key takeaways from evaluating the CC Certificate appeared first on Creative Commons.

Open Minds Podcast: *Special Episode* CC Roundtable on EU DATA ACT

mercredi 22 juin 2022 à 15:44

Hi Creative Commoners! We are back with a brand new episode of CC’s Open Minds … from Creative Commons podcast. 

In this episode, we switch things up from our typical interview style and play back the recording of Creative Commons’ hybrid roundtable on the EU Data Act, which took place in Brussels on 14 June 2022. CC CEO Catherine Stihler kicks things off with welcome remarks, and then Brigitte Vézina, CC’s Director of Open Culture and Policy, moderates a conversation between our distinguished panel of experts on how this new piece of legislation could reshape the rules governing value creation around data and unlock the potential for better sharing of knowledge and culture in the digital space across the EU and globally.

Our speakers in this episode include: 

INTRODUCTION
Catherine Stihler | CEO, Creative Commons

MODERATOR
Brigitte Vézina | Director of Policy, Open Culture and GLAM, Creative Commons

PANEL

  1. Christel Schaldemose | Member, European Parliament
  2. Anna Ludin | Policy Officer DG CNECT G.1, Data Policy and Innovation, European Commission
  3. Amandine Le Pape | COO/co-founder, Element, Guardian/co-founder, Matrix.org Foundation
  4. Paul Keller | President/founding member, COMMUNIA

Please subscribe to the show in whatever podcast app you use, so you don’t miss any of our conversations with people working to make the internet and our global culture more open and collaborative.

The post Open Minds Podcast: *Special Episode* CC Roundtable on EU DATA ACT appeared first on Creative Commons.