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BitTorrent Users Present a Goldmine of Marketing Opportunities

samedi 16 juillet 2016 à 11:55

swarmAfter years of aggressive litigation against hundreds of thousands of file-sharers, by now the message should be sinking in. Peer-to-peer networks, BitTorrent included, are very public and anyone with the know-how can look in.

Commonly, most of the people doing the monitoring have anti-piracy motives. Some aim to assess how much business may or may not be disappearing due to unauthorized sharing. Others spy with the sole intention of extracting cash settlements from users. US-based Peerlogix has a different agenda.

“We formed the company in 2013 out of a need of independent film studios. The types you see with $100k to maybe $1M budgets. We wanted to show them how to sell their films better,” says Peerlogix CEO and Co-founder William Gorfein.

With no chance of a Netflix deal, Gorfein says these studios often relied on sales to foreign countries that had a demand for American films.

“The problem is, these guys are artists, not analytics pros. Where would the movie be popular? Germany? South Korea? Because these guys typically didn’t have a clue, we felt there would be room for us to step in. We’d be the analysis side,” he explains.

“A film would be released, we could see the countries it’s popular in, and we’d then make introductions to key people in international markets to help broker film distribution deals. That was the idea at least, and our business model was to make money on the analytics.”

In 2014, Peerlogix became a measurement company, similar to Nielsen and comScore, but one gathering data from BitTorrent networks, the only fully international means to obtain video and music content online.

“Going to plan a new tour for an up and coming artist? Let us use this information together to help plan the cities the artist should be in. Trying to produce and finance a movie for international markets? Let’s finally use this activity to see which A and B list actors are popular in foreign markets,” Gorfein says.

In the music sector, Peerlogix has undertaken digital advertising projects for music festivals, gathering consumption data from torrent swarms to improve sales.

“Our goal is to show artists that there’s an entire segment of fans they’re not reaching. That the demographics look great, and that extra tickets and merchandise can be sold as a result of reaching them,” Gorfein explains.

“Your YouTube efforts are garnering X ROI, your social media efforts are giving you Y ROI – but how about the fans on torrents? There are millions, so we’ve been showing artists that there’s an equivalent ROI that can be realized from torrenters (without lawsuits!) and that it’s a necessary strategy to incorporate.”

For those more interested in the mechanics, Peerlogix told us that they’re close to being able to monitor every publicly available torrent.

“As far as protocols go, this includes conventional tracker servers, DHT (and subsequent magnet links), and Peer Exchange (PEX). DHT, by and large, makes up the bulk of the incoming data we collect,” Gorfein says.

“The conventional tracker servers were the simplest to track and mine. We were able to get that ability launched and running after our first few months and with relative ease. DHT is far trickier.”

Once harvested, the data is crunched and shared with third party companies, typically agencies who target individuals with advertising on multiple platforms.

“Does a consumer products company want to advertise to all viewers of Modern Family on ABC? If so, they will need to incorporate the 20% of the viewers that choose to do so via torrents, and that’s where we come in,” Gorfein says.

In order to add value to their service, Peerlogix works with other companies to augment harvested torrent information with demographic and behavioral data. That has provided some valuable insights into the nature of BitTorrent users.

“A eureka moment occurred when we saw that the demographics behind torrent households are borderline incredible – well educated, large discretionary dollars to spend and tech-savvy,” Gorfein says.

“Did you know that homes watching Real Housewives on torrent also have high affinities for fishing? Or that downloaders of Tomb Raider have a 3.3x greater likelihood of watching Game of Thrones? Or that these same Tomb Raider players love the X-Men and Hunger Games series? Me neither but the numbers speak for themselves,” he concludes.

Being monitored for advertising purposes is a daily occurrence for everyone using the Internet, whether that’s on the web or even BitTorrent. Not everyone likes it, but when a timely job opportunity lands on the mat due to the latter, things might not be so bad.

More information on Peerlogix can be found here.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

‘Tor and Bitcoin Hinder Anti-Piracy Efforts’

vendredi 15 juillet 2016 à 19:12

euipoTo avoid enforcement efforts, pirate sites often go to extremes to hide themselves from rightsholders and authorities.

Increasingly, this also means that they use various encryption technologies to increase their resilience and anonymity.

Several of these techniques are highlighted in a new report published by the European Union Intellectual Property Office (EUIPO).

The report gives a broad overview of the business models that are used to illegally exploit intellectual property. This includes websites dedicated to counterfeit goods, but also online piracy hubs such as torrent sites and file-hosting platforms.

EUIPO hopes that mapping out these business models will help to counter the ongoing threat they face.

“The study will provide enhanced understanding to policymakers, civil society and private businesses. At the same time, it will help to identify and better understand the range of responses necessary to tackle the challenge of large scale online IPR infringements,” EUIPO notes.

According to the research, several infringing business models rely on encryption-based technologies. The Tor network and Bitcoin, for example, are repeatedly mentioned as part of this “shadow landscape”.

“It more and more relies on new encrypted technologies like the TOR browser and the Bitcoin virtual currency, which are employed by infringers of IPR to generate income and hide the proceeds of crime from the authorities,” the report reads.

According to the report, Bitcoin’s threat is that the transactions can’t be easily traced to a person or company. This is problematic, since copyright enforcement efforts are often based on a follow-the-money approach.

“There are no public records connecting Bitcoin wallet IDs with personal information of individuals. Because of these Bitcoin transactions are considered semi-anonymous,” EUIPO writes.

Similarly, sites and services that operate on the darknet, such as the Tor network, are harder to take down. Their domain names can’t be seized, for example, and darknet sites are not subject to ISP blockades.

“Through the use of TOR, a user’s Internet traffic is encrypted and routed in specific ways to achieve security and anonymity,” the report notes.

While the report doesn’t list any names, it describes various popular torrent, streaming and file-hosting sites. In one specific case, it mentions an e-book portal that operates exclusively on the darknet, generating revenue from Bitcoin donations.

Most traditional pirate sites still operate on the ‘open’ Internet. However, several sites now allow users to donate Bitcoin and both The Pirate Bay and KickassTorrents both have a dedicated darknet address as well.

EUIPO is clearly worried about these developments, but the group doesn’t advocate a ban of encryption-based services as they also have legitimate purposes.

However, it signals that these and other trends should be followed with interest, as they make it harder to tackle various forms of counterfeiting and piracy online.

As part of the efforts to cut back various forms of copyright infringement, EUIPO also announced a new partnership with Europol this week. The organizations launched the Intellectual Property Crime Coordinated Coalition which aims to strengthen the fight against counterfeiting and piracy.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

Steal This Show S01E13: Save P2P, Save The Internet!

vendredi 15 juillet 2016 à 14:09

stslogoIn this emergency episode of STEAL THIS SHOW, Thomas Lohninger of Save The Internet and Holmes Wilson of Fight For The Future explain how practices like traffic management, zero rating and specialised services threaten P2P, VPNs and, more generally, our access to a free and open internet.

Click here to have your voice heard before it’s too late!

Steal This Show aims to release bi-weekly episodes featuring insiders discussing copyright and file-sharing news. It complements our regular reporting by adding more room for opinion, commentary and analysis.

The guests for our news discussions will vary and we’ll aim to introduce voices from different backgrounds and persuasions. In addition to news, STS will also produce features interviewing some of the great innovators and minds.

Host: Jamie King

Guests: Thomas Lohninger and Holmes Wilson

Produced by Jamie King
Edited & Mixed by Riley Byrne
Original Music by David Triana
Web Production by Siraje Amarniss

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

VKontakte & Universal Music Close to Anti-Piracy Deal

vendredi 15 juillet 2016 à 10:31

For many years, social networking giant vKontakte has been branded one of the world’s worst facilitators of copyright infringement.

The site, often dubbed ‘Russia’s Facebook’, has clashed with copyright holders everywhere, and has even found itself the subject of intense criticism from the U.S. Government.

One of vKontakte’s longest running disputes has been with Universal Music. Like several other recording labels, Universal has put the social network under intense pressure to curtail infringement on its platform.

Patience ran out two years ago when the label filed a lawsuit at the Saint Petersburg and Leningrad Region Arbitration Court. Since then the case has flipped both ways, first with a partial victory for the labels, then a Court of Appeal ruling in favor of vKontakte.

After Universal filed another appeal in May, the case looked like it might drag on, but according to a report from Russia’s Vedomosti, peace is on the horizon.

Citing two sources within vKontakte parent company Mail.ru, the publication says that negotiations to strike a licensing deal with Universal are advanced and an announcement is imminent.

According to the insiders, the companies are in the “final stages” of approval and confirmation of the deal could arrive before the end of the week.

The scope of the licensing/anti-piracy deal appears to be broad, encompassing not only vKontakte but other Mail.ru ventures including Classmates (Odnoklassniki) and My World. These sites are the three most popular social networking platforms in Russia and where millions of tracks are downloaded for free.

So what’s in it for Universal? Currently, it appears that the record label is being guaranteed a minimum fee of $8m over three years. However, there is also a revenue sharing arrangement under discussion which could see Mail.ru companies make money when their users sign up for a premium music subscription package.

There is some speculation that an announcement could take place during this weekend’s VK Fest music festival but the sources warn there are still some legal complications to be ironed out.

In the event that confirmation of the deal is pushed back, the suggestion is that the parties could announce an “agreement of intent” instead, with the final details to be hammered out during the next few weeks.

If Universal does indeed sign on the dotted line, it will be in good company. Mail.ru already has annual licensing deals in place with Sony Music ($2m), Warner Music ($2.5m), distributor The Orchard, plus a handful of local publishers. Adding the world’s largest music company into the mix would largely complete the circle.

Assuming the Universal deal goes ahead, Mail.ru is initially expected to spend around $7m per year on music licensing, a huge amount considering that the entire Russian digital music market was worth just $23.5m in 2015.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

Nintendo Cracks Down on Pokémon Go ‘Piracy’

jeudi 14 juillet 2016 à 22:59

pokeThe Pokémon Go game is taking the world by storm, despite the fact that it’s not yet officially released in most countries.

The game came out in Australia, New Zealand, and the United States last week, and over the past few days Germany and the UK joined in.

However, that doesn’t mean people elsewhere can’t play it yet.

As the craze spread, so did the various pirated copies, which have been downloaded millions of times already. The Internet is littered with unauthorized Pokémon Go files and guides explaining how to install the game on various platforms.

To give an indication of how massive Pokémon Go piracy is, research from Similarweb revealed that as of yesterday 6.8% of all Android devices in Canada and the Netherlands had the game installed.

In fact, it’s safe to say that unauthorized copies are more popular than the official ones, for the time being.

The APK files for Android are shared widely on torrent sites. At The Pirate Bay, for example, it’s the most shared Android game by far. Even more impressive, it also sent millions of extra daily visitors to APKmirror.com, which hosts copies of the game as well.

Most pirated Android games

pokepirate

Nintendo is obviously not happy with this black market distribution. Although it doesn’t seem to hurt its stock value, the company is targeting the piracy issue behind the scenes.

TorrentFreak spotted several takedown requests on behalf of Nintendo that were sent to Google Blogspot and Google Search this week. The notices list various links to pirated copies of the game, asking Google to remove them.

One of the takedown notices

pokedown

Thus far the efforts have done little to stop the distribution. The files are still widely shared on torrent sites and various direct download services. The copies on APKmirror.com remain online as well.

In fact, it’s virtually impossible to stop a game that’s gone viral from being shared online. Even if it issues thousands of takedown requests, Nintendo won’t be able to catch ’em all.

Nintendo probably has good reasons to roll Pokémon Go out gradually, but the best anti-piracy strategy is obviously to make the game available worldwide as quickly as possible.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.