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YesPornPlease Restricts Access as PayPal & Cloudflare Are Asked to Unmask Operators

dimanche 29 mars 2020 à 08:55

In September 2019, MG Premium went to court in the United States requesting a DMCA subpoena against Cloudflare.

Alleging mass infringement, the adult giant wanted the CDN company to hand over the personal details of the people behind ‘tube’ site YesPornPlease and partner platform VShare.io.

With 100 million visitors in January 2020 alone, YesPornPlease is a huge player in the space. It reportedly carries huge volumes of MG Premium content, including videos published under the Reality Kings, Brazzers, MOFOS, Babes.com, and Twistys brands.

Progress on the earlier subpoena is unknown but in February, MG Premium filed a full-blown lawsuit in a Washington court potentially worth hundreds of millions of dollars.

In the wake of that legal action both YesPornPlease and VShare went offline. At the time it appeared that the sites may not return but the situation was temporary. Now, however, visitors to the platform are being greeted by a strange ‘welcome’ page.

“Our website is banned in your country,” the greeting claims. “Please use Tor Browser, VPN or if you don’t have any get this for free.”

The “this for free” is a VPN called VPN4Test and the suggestion is that it can unlock the site. However, there are a number of confusing aspects to the message and the recommendation.

Aside from countries where porn may be illegal in general, we’re not aware that YesPornPlease is ‘banned’ in any country it was previously accessible from. That tends to suggest that the website hasn’t been banned by any authority and it’s the site’s operators that have put measures in place at their end to ensure access is hindered.

Furthermore, after extended testing with various VPNs and Tor, on what grounds access is granted by the site remains unclear. For example, in some cases UK IP addresses are allowed through yet VPN IP addresses in the same country are blocked. The same is true for those located in other regions, US and mainland Europe, for example.

After cycling through a dozen or so Tor IP addresses, access was granted roughly 50% of the time, which will please users of the site. However, people shouldn’t be streaming lots of unnecessary videos using Tor – it isn’t designed for it, especially in the volumes required to service a massive adult video site.

That leads to the question of whether one of the main aims of the blocking is to drive traffic to the promoted VPN. While it is reportedly free to use, it should come with all the usual warnings that other free VPNs carry – in a nutshell, free is rarely free and there are probably strings attached.

Nevertheless, VPN4Test is doing well out of the referrals. From very little traffic at all in December 2019, the service is now clocking up more than 1.5 million visits per month. Meanwhile, MG Premium is pressing ahead with its legal action.

It’s clear from its numerous filings that the main challenge the company faces is positively identifying the people who run the defendant sites. In a motion for early discovery, the adult giant says that can only be achieved with the assistance of several US-based companies that are doing or have done business with the site.

“Plaintiff seeks a Court order allowing it to serve discovery demands on PayPal, Inc.; Domain Protection Services; Name.com, Inc.; Cloudflare, Inc.; Namecheap.com; Tucows Domains, Inc.; Internet Security Research Group; and, Comodo, Inc. for identifying information of their customers, the Defendants in this case,” the filing reads.

According to MG, Domain Protection Services in Colorado anonymizes the YesPornPlease domain, while Name.com and Cloudflare provide registrar and DNS services. Vshare uses Namecheap and Cloudflare, with the latter being used by both sites to serve content in the United States. It’s further alleged that the affiliate program operated by VShare pays out through PayPal while using an SSL certificate from New Jersey-based Comodo, Inc.

MG says that its representatives contacted all of the companies with requests for cooperation but without exception they either “ignored requests for information or previously instructed that information will only be produced upon subpoena.”

“Plaintiff is aware of no available information that would identify the infringing users, other than information maintained by the domain privacy service, registrar service and
other service providers,” the motion for early discovery notes.

“Due to the nature of on-line transactions which in this case includes in certain instances of the crypto currency Bitcoin, Plaintiff has no way of determining Defendants’ identities except through immediate discovery, and follow-up discovery.”

As a result, MG requests that the court issues an order allowing it to serve subpoenas on the companies listed above, compelling them to turn over “all information pertinent to the identity of the owners, operators, and principals operating the YesPornPlease.com, VShare.io, and ezcgwym5xp7ty.com websites, domain names, and relevant accounts for each.”

The motion for early discovery can be found here (pdf)

Drom: TF, for the latest news on copyright battles, torrent sites and more. We also have an annual VPN review.

MPAA and RIAA’s Megaupload Lawsuits Remain on Hold

samedi 28 mars 2020 à 23:23

When the U.S. Government shut down Megaupload in 2012, Internet traffic volumes dropped all over the world.

The destruction of one of the largest file-hosting services came as a shock to hundreds of millions of users, but particularly to the key players involved.

While the authorities had hoped to resolve the case swiftly, the opposite happened. Aside from Andrus Nomm’s plea deal years ago, there hasn’t been any progress in the criminal proceedings against Megaupload’s founder and his co-indicted associates.

After more than eight years, it is still not clear whether Megaupload founder Kim Dotcom and his associates will ever stand trial in the US. They have and continue to fight this request tooth and nail in New Zealand.

While all parties await the outcome, which could take several more years, the criminal case in the United States remains pending. The same goes for the civil cases launched by the MPAA and RIAA in 2014.

This brings us to two new filings Megaupload’s legal team submitted at a Virginia federal court this week. The defunct file-sharing platform requests to keep the RIAA and MPAA cases on hold for at least six more months, noting the lack of movement in the criminal case.

“The Criminal Action is still pending, and none of the individual defendants have been extradited,” writes Megaupload attorney Craig C. Reilly, asking the court to stay the cases.

This request and the court’s swift approval to extend the delay until October doesn’t come as a surprise. The MPAA and RIAA didn’t object to it and similar requests have been granted more than a dozen times already.

The civil cases are not expected to start until after the criminal case in the U.S. has been ‘resolved.’ That can take several more years. Meanwhile, data from Megaupload’s servers remains securely stored, possibly to serve as evidence in the future.

Previously there have been attempts to make it possible for millions of former Megaupload users to retrieve their personal files. However, in recent years there hasn’t been any update on this front.

Similarly, the U.S. Department of Justice announced eight years ago that it would work on a solution to allow rightsholders to check whether their content was shared on Megaupload or related sites. Today, this feature is still listed as being “under construction.”

Drom: TF, for the latest news on copyright battles, torrent sites and more. We also have an annual VPN review.

YouTube Refuses to Process DMCA Counternotice for ‘Creepy Bugs’ Cartoon

samedi 28 mars 2020 à 08:32

Earlier this week we reported on a dark parody cartoon depicting a washed-out Bugs Bunny as a sex pest. The controversial video was created by Hunter Hancock, the person behind the MeatCanyon channel.

It was hit with a copyright complaint by Warner Bros. As a result, the MeatCanyon channel received a copyright strike and the cartoon was taken down.

When a video is targeted by a copyright holder with a manual complaint (i.e one not actioned as a result of ContentID matching), users can generally refer to the DMCA for guidance. This means that if they believe their content was not infringing (under fair use guidelines, for example), they can submit a DMCA counternotice to YouTube explaining why the content should not have been taken down.

This is exactly what Hancock did in response to the Warner complaint.

“This is my own creation. I animated every frame, composed the music, recorded the audio and made the backgrounds,” he told YouTube in his counternotice shared with TorrentFreak.

“This creation is under fair use,” he continued. “The characters have been stylized by myself to not reflect directly with the traditional characters. There is no branded logo to incite that this is a real video owned by Warner Brothers, but is in fact a parody video created by none other than by myself.”

As required under the law, Hancock swore that he had a “good faith belief” that the material had been removed due to a mistake and also consented to the jurisdiction of his local federal court, in case Warner chose to sue him – something it must do within two weeks to prevent the content from being restored. Should that time pass with no lawsuit, then the content would’ve been put back up and the strike removed.

In the event, however, none of those things happened. In short, YouTube declined to accept the apparently valid DMCA counternotice filed by Hancock and refused to pass it on to Warner.

“Based on the information you provided, it appears that you do not have the necessary rights to post the content on YouTube. Therefore, we regretfully cannot honor your request. It has not been forwarded to the original claimant, and we will not be able to restore your video,” YouTube’s correspondence reads.

While this response from YouTube runs counter to what most people would expect under the DMCA counter-claim process, it is not unprecedented. The EFF previously reported that agreements YouTube has with rightsholders may effectively deny access to the system.

“In many instances, even if you successfully submit a DMCA counter-notice, the video will not be reinstated. These agreements are opaque, and scope of what’s allowed under them is unknown. They may be short-term, or long-term,” the EFF previously explained.

In this case, the refusal of YouTube to allow a counter-claim represents a double-edged sword. While Hancock submitted the notice in good faith, genuinely believing he was in a good position to put his side of the argument by insisting he was protected under fair use doctrines, the reality of dealing with a lawsuit, should one be initiated, is a serious proposition and not to be underestimated.

After being denied by YouTube and further consideration, he decided that fighting probably wasn’t the best option after all.

“I am in no place to fight this in court due to financial reasons. It seems unnecessary to start a GoFund me or ask for help, because it’s between me and Warner Brothers,” he told TF.

“It also made me think YouTube wanted the video off the platform. It is a very crude video so I can’t blame them for that, but it would’ve been nice to have been given more information on why this video was unacceptable to stay up on my page. It’s very disheartening.”

While the decision by YouTube will be viewed by some as anti-consumer and a denial of due process, in this case the platform arguably did the animator a favor. Instead of expending resources he doesn’t have on a legal process that could go either way and could even prove financially ruinous, he can now concentrate on creating new content for fans.

Some battles are worth fighting but it’s definitely worth weighing the costs first.

Drom: TF, for the latest news on copyright battles, torrent sites and more. We also have an annual VPN review.

Anti-Piracy Campaign Against YouTube-Rippers Has Very Little Effect

vendredi 27 mars 2020 à 22:31

Nowadays, most popular music is legally accessible on YouTube. While everyone is allowed to play it, downloading tracks without permission is strictly forbidden.

YouTube itself also prohibits downloading or ripping unless the uploader specifically allows it. However, there are third-party sites that have found ways around these restrictions.

These ‘YouTube-rippers’ have been around for many years, much to the frustration of the music industry. The RIAA, in particular, is actively cracking down on these sites.

In recent months, the music group has filed subpoenas to identify several site operators. In addition, it sends takedown requests to search engines hoping that this will make the sites harder to find.

The latter strategy is relatively new and started just a few months ago. The RIAA doesn’t use standard DMCA notices since most YouTube-rippers don’t host content. Instead, the sites are reported for violating the DMCA’s anti-circumvention provision.

Through this route, the RIAA has managed to remove thousands of URLs from Google’s search results. While that sounds effective, a closer look at the estimated traffic data, kindly shared with us by piracy tracking company MUSO, shows that the measures have surprisingly little effect.

Below is an overview of the worldwide traffic to stream-ripper sites in the music category. It runs from September 2019, before the RIAA’s mass takedown campaign started, all the way to the end of January 2020. This reveals that traffic to these sites has remained relatively stable, without any sign of declining visitor numbers.

Global traffic in the music category to stream-rippers

The lack of movement by itself doesn’t say much about search traffic, so we decided to take a detailed look at that as well. MUSO reports search traffic separately, and this shows a similar pattern. In fact, search traffic to stream-rippers briefly appeared to grow at the end of last year.

In September, search engines were sending roughly 7.5 million visitors to stream-rippers per day, and at the end of January, that figure was pretty much the same.

Global search traffic in the music category to stream-rippers

These data are not entirely unexpected as YouTube-rippers are actively fighting back against the RIAA’s anti-piracy campaign. As we highlighted earlier, several sites are switching to new URL structures, to make sure that they remain visible in search engines.

And indeed, if we search on Google for the phrase “YouTube to MP3,” we see several YouTube-rippers in the top results.

Google search for “YouTube to MP3″”

Looking at the traffic statistics of individual sites we see some movement here and there. The two most popular stream-rippers, y2mate.com and ytmp3.cc, increased their traffic, while the third in line, flvto.biz, lost some visitors.

Flvto.biz’s sister site 2conv.com, however, saw its traffic go up. Both sites are also currently involved in a legal battle with the RIAA. While they won their first round, this case is currently on appeal.

The above shows that, thus far, the RIAA’s takedown efforts have had little effect. However, that doesn’t mean that there is nothing to celebrate at all. Onlinevideoconverter.com, which was the most popular stream-ripper just a year ago, is no longer a major threat.

The site saw its traffic drop from 207 million visitors in March 2019, to 15 million last month. This loss in visitors isn’t directly linked to the RIAA’s efforts, however. Instead, it’s the result of the site’s decision to disable YouTube ripping, after YouTube started to block its servers.

Drom: TF, for the latest news on copyright battles, torrent sites and more. We also have an annual VPN review.

Bad Boys For Life Leads Wave of Early Movie Releases Flooding Pirate Sites

vendredi 27 mars 2020 à 13:10

As the planet struggles to contain the coronavirus pandemic, businesses around the world are looking at ways to mitigate the disruption caused by voluntary and in some cases mandatory isolation.

Social distancing is now vital to the health of billions of people and as a result, visiting cinemas is no longer an option. Instead, movie companies are bringing forward digital release dates for many movies, hoping that people will rent or buy these titles, as a temporary replacement for venturing out to the big screen.

Somewhat inevitably these releases are now appearing on pirate sites, available to download or stream depending on the platform. Last Friday, The Invisible Man, The Hunt and Emma were readily available for viewing and this week many new titles can be added to the list.

Despite the movie only hitting cinema screens in mid-January, the much-anticipated Bad Boys For Life is now pulling in considerable numbers on unofficial platforms. It wasn’t expected until March 31 but this morning there are various HD copies culled from a digital source doing the rounds on torrent and streaming platforms.

Switching back and forth between second and third place in this batch is superhero movie Bloodshot. Starring Vin Diesel, the title was released early on March 13 but just a handful of days later, Sony Pictures said it would appear digitally on March 24 in response to the outbreak.

Next up is the Guy Ritchie action/comedy The Gentleman. Available in 1080p WEBRip format after being captured from platforms such as Amazon, the movie was previously slated for a home release on April 7. In the event, it appeared March 24 and almost immediately found itself on unlicensed platforms.

In no particular order (our regular weekly download chart will determine that in due course), several other titles are also readily available after early digital releases.

After being released digitally last Friday, animated release Onward was quickly made available unofficially. The same thing happened to the Harrison Ford movie The Call of the Wild today, just hours after being made available on Disney Plus.

Another Disney movie, Downhill starring Julia Louis-Dreyfus and Will Ferrell, also appeared this morning but doesn’t appear to be particularly popular, at least for now.

Finally, after a February theatrical release, Birds of Prey: And the Fantabulous Emancipation of One Harley Quinn was slated for a digital release on March 24 by DC. In the event, it actually appeared on pirate sites as early as March 21.

Quite how this state of play is being received at the studios is unclear. However, these are unprecedented times and since the vast majority of the public buy, rent or stream their movies legally, sales figures may yet be respectable – for the good films at least.

Drom: TF, for the latest news on copyright battles, torrent sites and more. We also have an annual VPN review.