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‘Hellboy’ Must Explain Calculation For the $270,000 Piracy Damages Claim

jeudi 26 mars 2020 à 21:44

Last summer, the makers of the movie “Hellboy” (HB Productions) filed a complaint against torrent site MKVCage at a Hawaii federal court.

The movie company accused the site and its operator of promoting and distributing pirated copies of the Hellboy movie while demanding an end to the activity.

The lawsuit quickly had an effect as MKVCage became unreachable. At the same time, the uploader stopped pushing torrents to other sites as well. This meant that part of the plan had succeeded, without the torrent site putting up a defense.

But HB Productions wanted more. The company argued that the site caused irreparable damage and demanded compensation from the operator, a Pakistani man named Muhammad Faizan.

Since Faizan didn’t show up in court, the movie company’s attorney Kerry Culpepper requested a default judgment totaling more than $270,000 in infringement damages.

“The certain sum of $270,902.58 […] was calculated by multiplying the number of instances of infringement in the United States logged by Plaintiff’s agent by the price for purchasing a copy of the motion picture in Hawaii,” Culpepper wrote to the court.

Despite a hefty damages award hanging over his head, Faizan remained quiet. This generally means that the court will side with the plaintiff but in this case, Magistrate Judge Kenneth J. Mansfield is reluctant.

In a recently issued report and recommendations, Mansfield advises the court to deny the damages request, as the “sum” is not as “certain” as Hellboy’s attorney makes it out to be.

“The First Amended Complaint and the Motion do not indicate how Plaintiff calculated its asserted $270,902.58 damages amount. Nor does Plaintiff’s Motion include documents setting forth amounts necessary to calculate a certain damages sum,” Judge Mansfield writes.

“Without such information, the Court is unable to determine the formula Plaintiff used to calculate its alleged damages. The Court thus finds that Plaintiff fails to establish that its claim is for a ‘sum certain’ and recommends that the district court deny the Motion,” he adds.

This recommendation serves as guidance to the federal court, which has yet to rule on the matter. However, before it could do so, HB Production’s attorney already withdrew his request for a default judgment.

The movie company now plans to file a new motion in the near future where it will provide more detail on its calculations. Among other things, it will have to explain in detail how many infringements were logged, and what retail price for the movie the company chose.

By law, the maximum statutory damages are $150,000 per work. Since HB Productions asked for a substantially higher amount here, these details are crucial in order to determine whether it will be granted, or not.

A copy of Magistrate Judge Kenneth J. Mansfield’s report and recommendations is available here (pdf)

Drom: TF, for the latest news on copyright battles, torrent sites and more. We also have an annual VPN review.

Anti-Piracy Chief: Pirated Content is Now Harder to Find in Search Engines

jeudi 26 mars 2020 à 11:00

In 2018, leading content companies and distributors plus Yandex, Rambler Group, Mail.Ru Group, vKontakte, and RuTube signed up to a landmark anti-piracy memorandum in Russia.

The aim of the voluntary agreement was to make pirated content harder to find in search engines. This, the organizers said, would be achieved by the creation of a centralized database of allegedly-infringing content to be regularly queried by Internet platforms so that delistings could take place.

The ultimate aim is to have the memorandum written into law but in the meantime, it’s being claimed that the system is already having the desired effect.

Formed in 2013 to protect the interests of several licensed online distribution platforms, the Internet Video Association has grown to become one of the most vocal anti-piracy groups in Russia. Its members support the memorandum and according to director general Alexei Byrdin, it is now considered to be achieving its aims.

Byrdin says a certain level of piracy comes hand-in-hand with any legal content business and achieving a complete victory over piracy can’t be achieved in Russia or anywhere else in the world. However, by removing infringing content from search engines, easy access to unlicensed content is being reduced.

“The correct measurement of the effect of the fight against piracy is a decrease or increase in the availability of pirated content. It is this indicator and approach that I consider the most correct,” Byrdin told Regnum.

“Pirated products in the Russian Federation have become less accessible. And by accessible, we mean the easy discovery of pirated content through search services. It was at this point that our anti-piracy memorandum struck home. Last year there were several high-profile premieres that managed to be practically shielded from the effects of pirate consumption, thanks to the memorandum.”

While the memorandum is indeed powerful (search engines have agreed to remove pirated content within six hours of it being reported in the centralized database), other factors have also played a part in reducing pirate consumption. Reducing piracy rates is of limited use if potential consumers have few viable options to buy licensed products but according to Byrdin, local consumers now see official platforms as an attractive proposition.

“There is a certain cumulative effect. For a very long time services have explained that they really have everything conveniently, inexpensively, with a large assortment, and users are finally believing this,” the anti-piracy chief explained.

“This is also due to the fact that in Russia the audience of smart TV users is growing year-on-year, and these consumers appreciate the convenience of such services. This really is simple and affordable home entertainment. Not much can be compared in terms of user experience.”

Like many countries around the world trying to mitigate the coronavirus pandemic, Russia is also shutting down its entertainment venues, including cinemas. Byrdin will be hoping that consumers frustrated by the lack of options in search results will flock to licensed platforms for their entertainment fix. Whether this transpires will remain to be seen.

Nevertheless, those involved in the licensed distribution of entertainment content clearly see the memorandum as a great tool to achieve their aims. Writing it into law hasn’t been easy and delays caused it to time out in October 2019.

After a short extension, the signatories agreed to keep the system running until the end of January 2021, by which time it’s hoped that agreement will be reached on some of the more contentious points, including the permanent delisting of entire sites considered to be repeat offenders.

Drom: TF, for the latest news on copyright battles, torrent sites and more. We also have an annual VPN review.

The Pirate Bay’s Oldest Active Torrent Turns 16 Years Old Today

mercredi 25 mars 2020 à 21:22

The Pirate Bay has weathered quite a few storms since its inception.

The notorious torrent site, which is a piracy icon today, was originally founded by Swedish anti-copyright think tank Piratbyrån during the summer of 2003.

In the years that followed, a lot has happened. The site was raided twice, had various changes in ownership, and the original co-founders were sentenced to prison. And in recent years, prolonged downtime issues, as the site currently faces, are the rule rather than the exception.

Despite all these setbacks and challenges, TPB is still here. It remains accessible on the Tor network, where the latest blockbusters, as well as some rare old torrents, remain readily available.

While torrents rely on at least one active seed to keep them alive, some files have proven to be quite resilient. In fact, quite a few torrents are older than some of the site’s younger users.

Today, The Pirate Bay’s oldest active torrent celebrates its sixteenth anniversary. The honor goes to an episode of the Swedish comedy show “High Chaparral,” which was uploaded by ‘kbdcb’ on March 25, 2004. At the time of writing, the file has one seeder according to TPB’s statistics, but various public trackers list more.

The oldest active torrent on TPB

The High Chaparral episode has been marked as the oldest active Pirate Bay torrent for a while. In the video category, it is currently followed by a copy of the 2001 documentary Revolution OS, which still has over a dozen seeders.

Looking at other categories, we see that the oldest active music torrent is an album from the Swedish pop group Gyllene Tider, titled “Samtliga hits!” The oldest game torrent is a copy of the Lord of the Rings strategy game War of the Ring, while a torrent for a really old version of ArcSoft’s photo editing software Funhouse leads the applications category.

If anything, this shows that no matter how much downtime a site like The Pirate Bay suffers, these torrents still survive.

That the High Chaparral episode is the longest surviving torrent on the site is remarkable for another reason as well. A few weeks after the torrent was uploaded, several people complained that they were stuck at 99%, which means that there was no seeder around at the time.

Years later, people started to notice that it had become the oldest torrent on The Pirate Bay, including MasterWAV, who dedicated an entry in his or her diary to this discovery.

“Dear diary, my heart burst of excitement to discover the oldest torrent in The Pirate Bay. I am happy to comment on this book and be part of the history of TPB. It’s like climbing Everest. Sincerely, thanks.”

Other commenters promised to keep seeding the file “forever,” which may be the prime reason why it’s still around today.

While sixteen years is impressive, there are even older torrents available on the Internet. “The Fanimatrix” torrent file holds the all-time record. It was created in September 2013 and, after being previously resurrected, continues to be available today with more than 100 people seeding.

Drom: TF, for the latest news on copyright battles, torrent sites and more. We also have an annual VPN review.

AMD Uses DMCA to Mitigate Massive GPU Source Code Leak

mercredi 25 mars 2020 à 10:16

Graphics cards are big business and AMD is one of the leading brands with an estimated 32% share of the discrete desktop market.

In July 2019, to celebrate its 50th anniversary, AMD released its Radeon RX 5000 series powered by ‘Navi’ GPUs (Graphics Processing Unit). The source code for these devices is extremely sensitive and considered secret but perhaps not for much longer.

This week rumors began to circulate that an unnamed individual had somehow obtained the source for Navi 10, Navi 21 and Arden devices, the latter representing the rumored GPU for the yet-to-be-released Xbox Series X. Confirming whether such leaks are genuine is difficult but yesterday AMD took action which tends to support the theory.

In a DMCA notice sent to development platform Github, AMD identified the recently-created ‘xxXsoullessXxx’ repository and a project titled “AMD-navi-GPU-HARDWARE-SOURCE” as the location of its “stolen” intellectual property.

“This repository contains intellectual property owned by and stolen from AMD,” the semiconductor company wrote. “The original IP is held privately and was stolen from AMD.”

Github responded by immediately taking the repository down, as per AMD’s request. That prompted us to try and find the person behind the repo and to ask some questions about what AMD was trying to suppress. The individual informed TorrentFreak that AMD’s GPU source code was the content in question. (Responses edited for clarity)

“In November 2019, I found AMD Navi GPU hardware source codes in a hacked computer,” the person explained. “The user didn’t take any effective action against the leak of the codes.”

Questioned further on the route of extraction, we were told that a combination of factors led to the leak.

“The source code was unexpectedly achieved from an unprotected computer//server through some exploits. I later found out about the files inside it. They weren’t even protected properly or even encrypted with anything which is just sad.”

The individual, who claims to be female, told us that the package included code for Navi 10 and Navi 21 devices. She also confirmed that the source for the Xbox Series X GPU ‘Arden’ was part of the haul.

When asked whether the person had spoken to AMD about the leak, the answer was negative.

“I haven’t spoken to AMD about it because I am pretty sure that instead of accepting their mistake and moving on, they will try to sue me. So why not just leak it to everyone?” we were told.

The alleged leaker further told us that one “source code packet” had already been released. Whether that is limited to the material made available via Github remains unclear but TF was able to find links to a file-hosting site where an archive claiming to be the content was stored. Given the potentially criminal route via which the content was obtained, we did not download the package.

That AMD is concerned about the leak was underlined once again late yesterday. Having indicated in its initial complaint to Github that the source couldn’t be found anywhere else, the company later backtracked, identifying at least four other locations on Github where the project had been forked. All of those repos have been taken down.

While taking down the repositories is a logical first step for AMD, the gravity of this leak is hard to underestimate. The claimed hacker told TF that she valued the source at $100m but how that calculation was arrived at is unknown. While AMD considers its next steps, an even bigger storm may be heading the company’s way.

“If I get no buyer I will just leak everything,” the leaker concluded, adding that the files would be secured with passwords that will only be handed out to select individuals.

Drom: TF, for the latest news on copyright battles, torrent sites and more. We also have an annual VPN review.

‘Copyright Troll Identified the Wrong Facebook Account in Piracy Case’

mardi 24 mars 2020 à 21:39

Over the past three years, adult entertainment company Strike 3 Holdings has filed thousands of cases in US federal courts.

These lawsuits target people whose Internet connections were allegedly used to download and share copyright-infringing content via BitTorrent.

While many of these cases resulted in private settlements, Strike 3 has also experienced some setbacks. For example, in the ‘Cobbler’ case, the Court of Appeals previously ruled that copyright holders need “something more” than an IP-address for a viable case.

These and other rulings have motivated Strike 3 to adapt its business. As reported earlier this month, we noticed that the company had started to add information from social media services to its complaints, to ‘prove’ that the defendant is likely the infringer.

In theory, this could be a fruitful strategy but it is certainly not without flaws. This is what defense attorney Steven C. Vondran highlights in a recent BitTorrent piracy-related filing.

Vondran represents a defendant who is being sued by Strike 3 in a California federal court. This happened after the company first tried to expose this person at a Florida state court, through a controversial discovery request.

Among other things, the attorney argues that Strike 3 engages in “cut and run” tactics and that it fails to present “something more” than just an IP-address.

In making this argument, Vondran also draws attention to the social media tactic. While that wasn’t used in the case at issue, the attorney highlights it to show what can go wrong when Strike 3 tries to find “something more” than just an IP-address.

“If they can line up or match or correlate the movies being downloaded with a person’s Facebook ‘likes’ they figure this will overcome Cobbler and give them the ‘something more’ needed,” he points out.

According to the defense attorney, “this is total junk science” which he plans to make clear in a separate case he’s handling. Apparently, in that case the defendant’s interest in “Star Wars” on Facebook was brought up as relevant information.

“For example, in one case they stated that a Defendant is more likely to have downloaded their clients Blacked, Tushy, and Vixen videos because their social media likes indicate they have an interest in ‘Star Wars’,” Vondran writes.

Vondran informs the court that this is “a total joke.” Not just that, Strike 3 apparently also managed to identify the wrong account on Facebook, from someone who happens to carry a similar name.

“Making matters worse for them, the Defendant in that case will show that the Facebook account used was that of another person with a similar same,” Vondran writes.

“These are the type of callous intentional abuses that are going on and the Courts have the inherent power to quash the subpoena and dismiss the case for improper delay,” the attorney adds.

If this is indeed true, Strike 3’s attempt to present “something more” to the court has the potential to backfire. In any case, it’s worth keeping an eye on this motion to quash, as well as the upcoming filings about the wrongly identified Facebook account.

A copy of Steven C. Vondran reply to Strike 3’s opposition to the motion to quash is available here (pdf).

Drom: TF, for the latest news on copyright battles, torrent sites and more. We also have an annual VPN review.