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Top 10 Most Pirated Movies of The Week on BitTorrent – 01/14/19

lundi 14 janvier 2019 à 10:52

This week we have two newcomers in our chart.

First Man is the most downloaded movie.

The data for our weekly download chart is estimated by TorrentFreak, and is for informational and educational reference only. All the movies in the list are Web-DL/Webrip/HDRip/BDrip/DVDrip unless stated otherwise.

RSS feed for the articles of the recent weekly movie download charts.

This week’s most downloaded movies are:
Movie Rank Rank last week Movie name IMDb Rating / Trailer
Most downloaded movies via torrents
1 (…) First Man 7.5 / trailer
2 (6) Aquaman (HDTC) 7.7 / trailer
3 (7) Venom 7.0 / trailer
4 (1) The Vanishing 6.0 / trailer
5 (4) Johnny English Strikes Again 6.4 / trailer
6 (3) Ralph Breaks The Internet (Dvdscr) 5.5 / trailer
7 (2) The Favourite (DVDScr) 8.1 / trailer
8 (10) Fantastic Beasts: The Crimes of Grindelwald 6.9 / trailer
9 (5) Bird Box 7.7 / trailer
10 (…) Ashes in the Snow 7.3 / trailer

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.

ISP Wants Trial to Decide if it Failed to Terminate Repeat Infringers

dimanche 13 janvier 2019 à 20:42

The “repeat infringer” issue remains a hot topic in US Courts, leading to much uncertainty among various Internet services.

Under the DMCA, companies are required to implement a reasonable policy to deal with frequent offenders. This requirement applies to hosting services as well as commercial Internet providers.

Previously, Internet provider Cox lost a legal battle over this very issue, and major record labels are currently going after the Texan ISP Grande

In order to enjoy safe harbor protection, the DMCA requires ISPs to adopt and reasonably implement a policy for terminating the accounts of repeat copyright infringers. According to the labels, it is clear that Grande failed to do so. As such, the company should be held directly liable.

Last month, US Magistrate Judge Andrew Austin sided with the labels. In his report and recommendation, he concluded that Grande had a policy that allowed it to terminate repeat infringers. However, the ISP failed to act on this for years. As such, the policy was not ‘adopted’ and ‘reasonably implemented’.

If the court adopts this recommendation, the ISP won’t have a have harbor defense at trial, which would be an enormous setback. However, in an objection filed this week, Grande hopes to convince the court to have the matter decided during trial. 

According to the ISP,  there is more than enough evidence that would lead a jury to conclude that Grande qualifies for a safe harbor defense. While Grande doesn’t deny that it initially didn’t disconnect any repeat infringers based on Rightscorp’s notices, it doesn’t believe this was wrong.

First of all, Grande points out that the DMCA’s text is rather vague on what a repeat infringer is and when disconnections are appropriate. This issue has also been brought up in the past in other cases, including Cox’s lawsuit.

In addition, the ISP has serious concerns about the reliability of Rightscorp’s piracy notices, which also contain settlement demands.

Grande notes that there are critical flaws in the Rightscorp system. These create factual disputes as to whether Grande should have terminated the Internet access of any subscriber, which it would like to present during trial.

“For instance, Rightscorp’s notices do not identify the name of a copyrighted work or a U.S. copyright registration, and they contain no explanation or evidence of the factual basis of the allegation,” Grande writes.

“Rightscorp also does not attempt to download any portion of an allegedly infringing file before sending a notice of copyright infringement, and does not obtain true copies of copyrighted songs to compare against allegedly infringing copies.”

 The ISP believes that during trial, a jury could come to the decision that Grande didn’t have to act on Rightscorp’s notices to keep its safe harbor. 

“Given this evidence, a fair-minded jury could conclude that Grande reasonably implemented its termination policies by choosing not to terminate subscribers in response to Rightscorp’s facially-deficient and otherwise unreliable notices.”

The argument boils down to what ISPs are required to do when they receive notices of alleged infringement. Are third-party accusations good enough to classify someone as a repeat infringer?

Judge Austin concluded in his report and recommendations that Rightscorp’s notices should be acted on, adding that Grande initially didn’t terminate any subscribers based on other notices either. 

However, in the past, many ISPs had a similar policy to Grande’s, with some even arguing that only a court can declare someone an infringer, not a simply piracy notice. 

While Cox failed to convince the court with similar arguments in the past, Grande stresses that its case is different. It, therefore, calls on the court to reject Judge Austin’s recommendation and jet a jury decide what’s appropriate. 

“In sum, it is axiomatic that determining whether Grande failed to implement a policy for terminating repeat infringers ‘in appropriate circumstances’ requires considering the evidence of the actual circumstances.

“That evidence includes the extensive evidence that Rightscorp’s system is simply incapable of reliably identifying and giving notice of actual copyright infringement. At a minimum, this evidence gives rise to a genuine issue of material fact for trial,” Grande concludes.

 —

A copy of Grande’s objections to the report and recommendation regarding the DMCA Safe Harbor defense is available here (pdf).

In a separate filing (pdf), Grande objects to Judge Austin’s recommendation to deny summary judgment in the ISPs’ favor on a variety of liability issues, including direct infringement, willfulness, damages, and ownership of copyright.  These are all under recommendation to be denied, except for two limited issues regarding the alleged violation of reproduction or public performance rights.

The record labels, for their part, also object to the recommendation but ask the court to deny summary judgment for reproduction as well (pdf).

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.

South Korea Promises New Crackdown on Pirate Sites

dimanche 13 janvier 2019 à 12:18

South Korea has long been associated with some of the fastest average Internet connection speeds available anywhere in the world. The country topped the list in 2017 and is still a key player today.

While fast Internet speeds are great for average users, Internet pirates are always particularly grateful for speedy transfers and those in South Korea are no different. As a result, authorities in the country have been under pressure to do something about piracy rates.

In an announcement this week, the Ministry of Culture, Sports and Tourism revealed that specialist Intellectual Property Rights police shut down 25 pirate sites in 2018, adding that the operators of 13 had been arrested. Some will face criminal proceedings alongside claims for civil damages, reports suggest.

One of the largest targets appears to have been Marumaru, a local site that specialized in Japanese manga content. After being founded in 2013, Marumaru grew at an impressive rate, allegedly earning around a million dollars in advertising revenue while offering an estimated 42,000 copyrighted manga works.

Last November, however, the show came to an end after the platform was shut down. A month later, two alleged operators of the site were charged with copyright infringement offenses.

South Korea’s commitment to tackling piracy appears to be hardening. This week the Korea Communications Standards Commission said it had launched a special unit (Copyright Infringement Response Team) to tackle pirate sites in order to protect local industries.

In common with similar initiatives in other regions, the aim is to target platforms based overseas that are claimed to be out of local authorities’ reach. It’s no surprise that web-blocking is considered part of the solution.

The KCSC said that it blocked around 50 websites to 2014 but last year that total had risen to 2,338. A 2018 report from the MPA (pdf), that studied South Korea’s blocking regime, declared that the practice meant that “total visits to piracy sites declined following each wave of site blocking.”

It now appears that even more stringent steps will be taken to prevent direct visits to pirate sites. The ‘Response Team’ has been tasked with monitoring pirate sites “round the clock” in order to provide a “rapid and strong response” to infringement and evasive action by site operators.

Sites that spring up to facilitate access to previously-blocked sites, such as mirrors and proxies, will be dealt with within four days, with complaints from rightsholders actioned within the same time-frame.

The Ministry of Culture, Sports and Tourism is promising to continue the crackdown for years to come and indicates it will work also with foreign authorities to tackle all types of pirate sites.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.

Paul Schrader Used Torrents to Share His Own “Dying Of The Light” Cut

samedi 12 janvier 2019 à 22:27

Paul Schrader is a big name in Hollywood, known for  classics such as “Taxi Driver,” “Raging Bull,” and “American Gigolo.”

The writer-director’s more recent movies haven’t been all a success and Schrader suffered setbacks on other fronts as well.

In 2014  he lost control over the movie “Dying Of The Light.” The film was taken over by others after the first cut and was re-edited and released without his input.

This caused quite a stir at the time. When Lionsgate subsidiary Grindstone released the poster and trailer the director and others were not happy. However, because of a “non-disparagement” clause, they had to stay silent.

“Here we are, Nick Cage, Anton Yelchin, Nic Refn and myself, wearing our ‘non-disparagement’ T shirts,” Schrader wrote at the time.

Although it was not an option to burn the film to the ground, verbally, the director didn’t let the project go completely. Instead, he decided to go rogue and create his own cut, on his own terms.

With help from  Benjamin Rodriguez Jr., who also edited the movie “Dog Eat Dog,” he pulled original footage from workprint DVDs. Eventually, this resulted in a brand new cut titled “Dark.”

Early last year the director gave a ‘making off’ masterclass at the Rotterdam Film Festival, which is available on YouTube, and a detailed writeup on Indiewire shows how much of a challenge the project was.

The latter article also has an interesting comment section where someone suggested putting a copy of “Dark” on torrent sites.

“If it can’t be released in a commercial way, why don’t they use a torrent site to distribute ‘Dark’ worldwide? You’ll reach a much bigger audience & it would be a perfect fit for this subversive enterprise,” Carter wrote.

Whether Schrader saw this comment or not, he did indeed release a ‘torrent’ of the movie. This was revealed in an interview with Vulture this week.

“I made ‘Dog Eat Dog’ to redeem myself from the humiliation of ‘Dying of the Light,’ which was taken away from me. Nic [Cage] and I disowned it, I subsequently did my own edit, put it on torrent,…” he said.

The article itself doesn’t go into more detail, but we were rather intrigued and started digging. This search eventually led us to a torrent that was uploaded to The Pirate Bay a few months ago.

The torrent in question is titled 2018-Paul.Schrader.Dark-Dir.Cut.Dying.of.the.Light and comes with a personal message from the director. Most of the message is taken from Schader’s website with the following addition:

“Dark was not created for exhibition or personal gain. It is for historical record.- Paul Schrader”

TorrentFreak reached out to Schrader to confirm that this is indeed the copy he uploaded, but we haven’t heard back yet. This is, however, the earliest upload of “Dark” we could find.

What we also know is that the user in question tried to upload the torrent to The Pirate Bay several times, up to the point where the account was banned. A month later, another version was uploaded to the site which is still well-seeded.

Schrader doesn’t go into detail why he chose to share the film on The Pirate Bay, but we assume that it’s a defiant move to make it available worldwide, as was suggested.

Since he doesn’t own the exclusive rights to the footage, this may lead to potential copyright troubles, but we doubt that the rightsholders want to rattle this case.

For those who prefer to see the movie without venturing into the tricky waters of The Pirate Bay, Schrader also has some offline options.

“A digital file of the film can be seen by prior request at the UCLA Film Archives in Los Angeles, the Harry Ransom Center at the University of Texas, Austin and the Museum of Modern Art film department in New York City,” he writes.

The Pirate Bay team, meanwhile, informs TorrentFreak that Schrader can have his account reinstated if he wishes.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.

Steal This Show S04E10: ‘Rebuilding Our Cultural OS?’

samedi 12 janvier 2019 à 22:14

Loomio has already come up a few times on this show. It’s an open-source civic platform designed to help people make decisions collaboratively, and it’s been used by everyone from Pirate Parties to City Councils.

In this episode I met up with with Loomio’s Rich Bartlett to discuss the relationship of software to social change — how platforms like Facebook and Slack embed coded ideas about how people should relate to and interact with each other, and how Loomio is trying to design for new modes of interaction and consensus springing up in and around the social movements.

We discuss how a truly decentralised, horizontally organized society might look and talk through Loomio’s attempts to build the software to power it. Finally, we talk about how to upgrade what Rich calls our ‘cultural operating system’. Where does change really start: with our social organization, with our software or with ourselves?

Steal This Show aims to release bi-weekly episodes featuring insiders discussing crypto, privacy, copyright and file-sharing developments. It complements our regular reporting by adding more room for opinion, commentary, and analysis.

Host: Jamie King

Guest: Rich Bartlett

If you enjoy this episode, consider becoming a patron and getting involved with the show. Check out Steal This Show’s Patreon campaign: support us and get all kinds of fantastic benefits!

Produced by Jamie King
Edited & Mixed by Lucas Marston
Original Music by David Triana
Web Production by Eric Barch

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.