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YouTube-MP3 Settles With RIAA, Site Will Shut Down

lundi 4 septembre 2017 à 10:49

With millions of visitors per day, YouTube-MP3.org is one of the most visited websites on the Internet.

The site allows its visitors to convert YouTube videos to MP3 files, which they can then listen to where and whenever they want. The music industry sees such “stream ripping” sites as a serious threat to its revenues, worse than traditional pirate sites.

In an attempt to do something about it, a coalition of record labels, represented by the RIAA, took YouTube-MP3 to court last year.

A complaint filed in a California federal court accused the site’s operator of various types of copyright infringement. In addition, the labels accused the site of circumventing YouTube’s copying protection mechanism, violating the DMCA.

“Through the promise of illicit delivery of free music, Defendants have attracted millions of users to the [YouTube-MP3] website, which in turn generates advertising revenues for Defendants,” the labels complained.

Today, a year later, both parties have settled their differences. While there haven’t been many updates in the court docket, a recent filing states that both parties have agreed to a settlement.

The details of the deal are not public, but YouTube-MP3 is willing to take all the blame. In a proposed final judgment, both parties ask the court to rule in favor of the labels on all counts of the complaint. In addition, the site’s owner Philip Matesanz agreed to pay a settlement amount.

On all counts

In addition to the order, a proposed injunction will prohibit the site’s operator from “knowingly designing, developing, offering, or operating any technology or service that allows or facilitates the practice commonly known as “streamripping,” or any other type of copyright infringement for that matter.

This injunction, which RIAA and YouTube-MP3 both agreed on, also states that the site’s domain name will be handed over to one of the record labels.

“Defendants are ordered to transfer the domain name www.youtube-mp3.org to the Plaintiff identified in, and in accordance with the terms of, the confidential Settlement Agreement among the parties,” it reads.

If the owner refuses to comply, the registrar will be ordered to sign over the domain name, which means that there’s no escaping.

While the court has yet to sign the proposed judgment and injunction (pdf), it is clear that YouTube-MP3 has thrown in the towel and will shut down. At the time of writing the site remains online, but this likely won’t be for long.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

Top 10 Most Pirated Movies of The Week on BitTorrent – 09/04/17

lundi 4 septembre 2017 à 10:20

This week we have two newcomers in our chart.

Hitman’s Bodyguard is the most downloaded movie.

The data for our weekly download chart is estimated by TorrentFreak, and is for informational and educational reference only. All the movies in the list are Web-DL/Webrip/HDRip/BDrip/DVDrip unless stated otherwise.

RSS feed for the weekly movie download chart.

This week’s most downloaded movies are:
Movie Rank Rank last week Movie name IMDb Rating / Trailer
Most downloaded movies via torrents
1 (1) Hitman’s Bodyguard 7.2 / trailer
2 (5) Wonder Woman 8.2 / trailer
3 (4) The Mummy 2017 5.8 / trailer
4 (10) Despicable Me 3 6.4 / trailer
5 (3) Baywatch 5.7 / trailer
6 (2) Guardians of the Galaxy Vol. 2 8.0 / trailer
7 (…) It Comes At Night 6.6 / trailer
8 (7) Spider-Man: Homecoming (HDTS) 8.0 / trailer
9 (6) King Arthur: Legend of the Sword 7.2 / trailer
10 (…) The Osiris Child 5.8 / trailer

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

Datavalet Wi-Fi Blocks TorrentFreak Over ‘Criminal Hacking Skills’

dimanche 3 septembre 2017 à 21:12

At TorrentFreak we regularly write about website blocking efforts around the globe, usually related to well-known pirate sites.

Unfortunately, our own news site is not immune to access restrictions either. While no court has ordered ISPs to block access to our articles, some are doing this voluntarily.

This is especially true for companies that provide Wi-Fi hotspots, such as Datavalet. This wireless network provider works with various large organizations, including McDonald’s, Starbucks, and airports, to offer customers free Internet access.

Or rather to a part of the public Internet, we should say.

Over the past several months, we have had several reports from people who are unable to access TorrentFreak on Datavalet’s network. Users who load our website get an ominous warning instead, suggesting that we run some kind of a criminal hacking operation.

“Access to TORRENTFREAK.COM is not permitted as it is classified as: CRIMINAL SKILLS / HACKING.”

Criminal Skills?

Although we see ourselves as skilled writing news in our small niche, which incidentally covers crime and hacking, our own hacking skills are below par. Admittedly, mistakes are easily made but Datavalet’s blocking efforts are rather persistent.

The same issue was brought to our attention several years ago. At the time, we reached out to Datavalet and a friendly senior network analyst promised that they would look into it.

“We have forwarded your concerns to the proper resources and as soon as we have an update we will let you know,” the response was. But a few years later the block is still active, or active again.

Datavalet is just one one the many networks where TorrentFreak is blocked. Often, we are categorized as a file-sharing site, probably due to the word “torrent” in our name. This recently happened at the NYC Brooklyn library, for example.

After a reader kindly informed the library that we’re a news site, we were suddenly transferred from the “Peer-to-Peer File Sharing” to the “Proxy Avoidance” category.

“It appears that the website you want to access falls under the category ‘Proxy Avoidance’. These are sites that provide information about how to bypass proxy server features or to gain access to URLs in any way that bypass the proxy server,” the library explained.

Still blocked of course.

At least we’re not the only site facing this censorship battle. Datavelet and others regularly engage in overblocking to keep their network and customers safe. For example, Reddit was recently banned because it offered “nudity,” which is another no-go area.

Living up to our “proxy avoidance” reputation, we have to mention that people who regularly face these type of restrictions may want to invest in a VPN. These are generally quite good at bypassing these type of blockades. If they are not blocked themselves, that is.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

Pirate Sites and the Dying Art of Customer Service

dimanche 3 septembre 2017 à 13:50

Consumers of products and services in the West are now more educated than ever before. They often research before making a purchase and view follow-up assistance as part of the package. Indeed, many companies live and die on the levels of customer support they’re able to offer.

In this ultra-competitive world, we send faulty technology items straight back to the store, cancel our unreliable phone providers, and switch to new suppliers for the sake of a few dollars, pounds or euros per month. But does this demanding environment translate to the ‘pirate’ world?

It’s important to remember that when the first waves of unauthorized platforms appeared after the turn of the century, content on the Internet was firmly established as being ‘free’. When people first fired up KaZaA, LimeWire, or the few fledgling BitTorrent portals, few could believe their luck. Nevertheless, the fact that there was no charge for content was quickly accepted as the standard.

That’s a position that continues today but for reasons that are not entirely clear, some users of pirate sites treat the availability of such platforms as some kind of right, holding them to the same standards of service that they would their ISP, for example.

One only has to trawl the comments section on The Pirate Bay to see hundreds of examples of people criticizing the quality of uploaded movies, the fact that a software crack doesn’t work, or that some anonymous uploader failed to deliver the latest album quickly enough. That’s aside from the continual complaints screamed on various external platforms which bemoan the site’s downtime record.

For people who recall the sheer joy of finding a working Suprnova mirror for a few minutes almost 15 years ago, this attitude is somewhat baffling. Back then, people didn’t go ballistic when a site went down, they savored the moment when enthusiastic volunteers brought it back up. There was a level of gratefulness that appears somewhat absent today, in a new world where free torrent and streaming sites are suddenly held to the same standards as Comcast or McDonalds.

But while a cultural change among users has definitely taken place over the years, the way sites communicate with their users has taken a hit too. Despite the advent of platforms including Twitter and Facebook, the majority of pirate site operators today have a tendency to leave their users completely in the dark when things go wrong, leading to speculation and concern among grateful and entitled users alike.

So why does The Pirate Bay’s blog stay completely unattended these days? Why do countless sites let dust gather on Twitter accounts that last made an announcement in 2012? And why don’t site operators announce scheduled downtime in advance or let people know what’s going on when the unexpected happens?

“Honestly? I don’t have the time anymore. I also care less than I did,” one site operator told TF.

“11 years of doing this shit is enough to grind anybody down. It’s something I need to do but not doing it makes no difference either. People complain in any case. Then if you start [informing people] again they’ll want it always. Not happening.”

Rather less complimentary was the operator of a large public site. He told us that two decades ago relationships between operators and users were good but have been getting worse ever since.

“Users of pirate content 20 years ago were highly technical. 10 years ago they were somewhat technical. Right now they are fucking watermelon head puppets. They are plain stupid,” he said.

“Pirate sites don’t have customers. They have users. The definition of a customer, when related to the web, is a person that actually buys a service. Since pirates sites don’t sell services (I’m talking about public ones) they have no customers.”

Another site operator told us that his motivations for not interacting with users are based on the changing legal environment, which has become steadily and markedly worse, year upon year.

“I’m not enjoying being open like before. I used to chat keenly with the users, on the site and IRC [Internet Relay Chat] but i’m keeping my distance since a long time ago,” he told us.

“There have always been risks but now I lock everything down. I’m not using Facebook in any way personally or for the site and I don’t need the dramas of Twitter. Everytime you engage on there, problems arise with people wanting a piece of you. Some of the staff use it but I advise the contrary where possible.”

Interested in where the boundaries lie, we asked a couple of sites whether they should be doing more to keep users informed and if that should be considered a ‘customer service’ obligation these days.

“This is not Netflix and i’m not the ‘have a nice day’ guy from McDonalds,” one explained.

“If people want Netflix help then go to Netflix. There’s two of us here doing everything and I mean everything. We’re already in a pinch so spending time to answer every retarded question from kids is right out.”

Our large public site operator agreed, noting that users complain about the most crazy things, including why they don’t have enough space on a drive to download, why a movie that’s out in 2020 hasn’t been uploaded yet, and why can’t they login – when they haven’t even opened an account yet.

While the responses aren’t really a surprise given the ‘free’ nature of the sites and the volume of visitors, things don’t get any better when moving up (we use the term loosely) to paid ‘pirate’ services.

Last week, one streaming platform in particular had an absolute nightmare with what appeared to be technical issues. Nevertheless, some of its users, despite only paying a few pounds per month, demanded their pound of flesh from the struggling service.

One, who raised the topic on Reddit, was advised to ask for his money back for the trouble caused. It raised a couple of eyebrows.

“Put in a ticket and ask [for a refund], morally they should,” the user said.

The use of the word “morally” didn’t sit well with some observers, one of which couldn’t understand how the word could possibly be mentioned in the context of a pirate paying another pirate money, for a pirate service that had broken down.

“Wait let me get this straight,” the critic said. “You want a refund for a gray market service. It’s like buying drugs off the corner only to find out it’s parsley. Do you go back to the dealer and demand a refund? You live and you learn bud. [Shaking my head] at people in here talking about it being morally responsible…too funny.”

It’s not clear when pirate sites started being held to the same standards as regular commercial entities but from anecdotal evidence at least, the problem appears to be getting worse. That being said and from what we’ve heard, users can stop holding their breath waiting for deluxe customer service – it’s not coming anytime soon.

“There’s no way to monetize support,” one admin concludes.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

Director of Kim Dotcom Documentary Speaks Out on Piracy

samedi 2 septembre 2017 à 22:22

When you make a documentary about Kim Dotcom, someone who’s caught up in one of the largest criminal copyright infringement cases in history, the piracy issue is unavoidable.

And indeed, the topic is discussed in depth in “Kim Dotcom: Caught in the Web,” which enjoyed its digital release early last week.

As happens with most digital releases, a pirated copy soon followed. While no filmmaker would actively encourage people not to pay for their work, director Annie Goldson wasn’t surprised at all when she saw the first unauthorized copies appear online.

The documentary highlights that piracy is in part triggered by lacking availability, so it was a little ironic that the film itself wasn’t released worldwide on all services. However, Goldson had no direct influence on the distribution process.

“It was inevitable really. We have tried to adopt a distribution model that we hope will encourage viewers to buy legal copies making it available as widely as possible,” Goldson informs TorrentFreak.

“We had sold the rights, so didn’t have complete control over reach or pricing which I think are two critical variables that do impact on the degree of piracy. Although I think our sales agent did make good strides towards a worldwide release.”

Now that millions of pirates have access to her work for free, it will be interesting to see how this impacts sales. For now, however, there’s still plenty of legitimate interest, with the film now appearing in the iTunes top ten of independent films.

In any case, Goldson doesn’t subscribe to the ‘one instance of piracy is a lost sale’ theory and notes that views about piracy are sharply polarized.

“Some claim financial devastation while others argue that infringement leads to ‘buzz,’ that this can generate further sales – so we shall see. At one level, watching this unfold is quite an interesting research exercise into distribution, which ironically is one of the big themes of the film of course,” Goldson notes.

Piracy overall doesn’t help the industry forward though, she says, as it hurts the development of better distribution models.

“I’m opposed to copyright infringement and piracy as it muddies the waters when it comes to devising a better model for distribution, one that would nurture and support artists and creatives, those that do the hard yards.”

Kim Dotcom: Caught in the Web trailer

The director has no issues with copyright enforcement either. Not just to safeguard financial incentives, but also because the author does have moral and ethical rights about how their works are distributed. That said, instead of pouring money into enforcement, it might be better spent on finding a better business model.

“I’m with Wikipedia founder Jimmy Wales who says [in the documentary] that the problem is primarily with the existing business model. If you make films genuinely available at prices people can afford, at the same time throughout the world, piracy would drop to low levels.

“I think most people would prefer to access their choice of entertainment legally rather than delving into dark corners of the Internet. I might be wrong of course,” Goldson adds.

In any case, ‘simply’ enforcing piracy into oblivion seems to be an unworkable prospect – not without massive censorship, or the shutdown of the entire Internet.

“I feel the risk is that anti-piracy efforts will step up and erode important freedoms. Or we have to close down the Internet altogether. After all, the unwieldy beast is a giant copying machine – making copies is what it does well,” Goldson says.

The problems is that the industry is keeping piracy intact through its own business model. When people can’t get what they want, when, and where they want it, they often turn to pirate sites.

“One problem is that the industry has been slow to change and hence we now have generations of viewers who have had to regularly infringe to be part of a global conversation.

“I do feel if the industry is promoting and advertising works internationally, using globalized communication and social media, then denying viewers from easily accessing works, either through geo-blocking or price points, obviously, digitally-savvy viewers will find them regardless,” Goldson adds.

And yes, this ironically also applies to her own documentary.

The solution is to continue to improve the legal options. This is easier said than done, as Goldson and her team tried hard, so it won’t happen overnight. However, universal access for a decent price would seem to be the future.

Unless the movie industry prefers to shut down the Internet entirely, of course.

For those who haven’t seen “Kim Dotcom: Caught in the Web yet,” the film is available globally on Vimeo OnDemand, and in a lot of territories on iTunes, the PlayStation Store, Amazon, Google Play, and the Microsoft/Xbox Store. In the US there is also Vudu, Fandango Now & Verizon.

If that doesn’t work, then…

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.