Every few months the UK’s Federation Against Copyright Theft (FACT) reports on a scheme designed to cut down on the instances of camcorded movies appearing on the Internet.

The Take Action initiative, which has been in place since 2006, is funded by UK film distributors via the Film Distributors’ Association (FDA). In addition to funding educational campaigns and school resources on copyright, the project also provides night-vision goggles for catching potential pirates in the act.

In a new bulletin FACT and FDA report that nine members of staff from Cineworld, Odeon and Vue cinemas have become the latest to be commended for disrupting unauthorized movie recording in the UK.

“FDA is delighted to recognize the on-going vigilance of our colleagues in cinema exhibition across the UK,” said FDA Chief Executive Mark Batey.

“They are at the frontline of the fight against film theft, and a vital part of our programme to make the UK as secure a market in which to release movies as possible.”

The cammer catchers

In addition to general recognition, the individuals pictured above were presented with certificates and unspecified cash rewards. Although not quantified by FACT this time around, in the past rewards have varied, from up to £700 per person in 2012 down to £500 per person in 2013.

FACT reports that the nine individuals were involved in seven ‘incidents’, all of which were attended by the police. In five incidents the alleged cammers accepted police cautions, with one incident leading to an arrest.

The latest statistics are down on figures last reported by FACT, both in terms of overall incidents and people being rewarded. During the reporting period April 2013 to December 2013, a dozen alleged cammers of major movies were spotted in UK cinemas resulting in five arrests but no prosecutions. A total of 15 cinema workers picked up rewards.

It’s noteworthy, however, that apprehending those who record movies and then illegally distribute copies online doesn’t have to start and end in the cinema. FACT’s recent private prosecution of a man who recorded Fast and Furious 6 led to a prison sentence of almost three years, even though he managed to record the movie without being spotted. FACT are quick to recount this cautionary tale.

“As the recent sentencing of Philip Danks to a 33 month custodial sentence demonstrates, the illegal recording of films is a serious crime which carries serious consequences, both for the perpetrators and the industry they violate,” said FACT Director General Kieron Sharp.

The latest camming figures reported by FACT vary enormously from events six years ago. Documents previously obtained by TorrentFreak revealed that in 2008 there were 50 camming incidents in UK cinemas, with police attending on just two occasions. One resulted in a couple receiving official cautions but in the majority of cases people observed camming simply left the building.

It’s unclear whether today’s lower figures indicate a growing reluctance to test out the patience of both FACT and the police. However, even for those who do get away with the initial recording, recent events show that subsequently uploading that content to the Internet has the potential to elicit a big response.

Source: TorrentFreak, for the latest info on copyright, file-sharing and anonymous VPN services.

Three years ago, Hollywood had a dream. That dream centered around new legislation that would deal a body blow to Internet piracy, one that would starve sites of their revenue and seriously cut visitor numbers.

But in early 2012, following a huge backlash from the public and technology sector, the dream turned into a nightmare. SOPA was not only dead and buried, but Hollywood had made new enemies and re-ignited old rivalries too.

In the period since the studios have been working hard to paint the technology sector not as foes, but as vital partners with shared interests common goals. The aggressive rhetoric employed during the SOPA lobbying effort all but disappeared and a refocused, more gentle MPAA inexplicably took its place.

Yesterday, in ongoing efforts to humanize the behind-the-scenes movie making industry as regular people out to make a living, “Beyond the Red Carpet: TV & Movie Magic Day” landed on Capitol Hill.

Among other things, the event aimed to show lawmakers that those involved in the movie making process are not only vital to the economy, but are the real victims when it comes to piracy. The message is laid out in this infographic from the Creative Rights Caucus.

As co-chair of the caucus, U.S. Rep. Judy Chu, D-Calif. will be hoping to maintain momentum on issues such as tax incentives to keep film production in California, but yesterday the words of MPAA CEO Chris Dodd provided the most food for thought.

In comments to The Wrap, Dodd said that the MPAA is no longer seeking anti-piracy legislation from Congress.

“The world is changing at warp speed. We are not going to legislate or litigate our way out of it,” Dodd said.

For an organization that has spent more than a decade and a half tightening up ‘Internet’ copyright law in its favor, the admission is certainly a notable one, especially when the favored alternatives now include winning hearts and minds through education.

“We are going to innovate our way out by educating people about the hard work of people,” the MPAA CEO said.

“In this space everyone has to contribute to ensure that peoples’ content can be respected. Instead of finger pointing at everybody and arresting 14-year olds, the answer is making our product accessible in as many formats and distributive services as possible at price points they can afford. We are discovering that works.”

This tacit admission, that the industry itself has contributed to the piracy problems it faces today, is an interesting move. Over in Australia content providers and distributors have also been verbalizing the same shortcomings and they too have offered promises to remedy the situation.

But the development of new services doesn’t exist in a vacuum and time and again, across the United States to Europe and beyond, the insistence by Hollywood is that for legal services to flourish, use of pirate sources must be tackled, if not through legislation, by other means.

And here’s the key. Successfully humanizing the industry with lawmakers will provide Hollywood with much-needed momentum to push along its agenda of cooperation with its technology-focused partners.

ISPs will be encouraged to engage fully with the six-strikes “educational” program currently underway across America and advertising companies and big brands will be reminded to further hone their systems to keep revenue away from pirate sites.

But perhaps the more pressing efforts will entail bringing companies like Google on board. Voluntary agreements with the search sector can certainly be influenced by those on Capitol Hill, but with Google’s insistence that Hollywood moves first, by providing content in a convenient manner at a fair price, the ball is back in the movie industry’s court.

Dodd, however, is now promising just that, so things should start to get interesting. And in the meantime the MPAA can continue to fund groups such as the Copyright Alliance, a non-profit which regularly testifies before Congress on copyright and anti-piracy matters and of which the MPAA is a founding member.

Source: TorrentFreak, for the latest info on copyright, file-sharing and anonymous VPN services.

Over the past few months City of London Police have been working together with copyright holders to topple sites that provide or link to pirated content.

The police started by sending warning letters to site owners, asking them to go legit or shut down. Late last year this was followed by a campaign targeted at domain registrars, asking them to suspend the domain names of several “illegal” sites.

Most registrars have denied these suspension requests because they lack any legal basis, but some are cooperating. Yesterday another site fell victim to the police’s campaign after MP3Juices.com had its domain name suspended.

The MP3 search engine was relatively popular with well over a million visitors per month. For now, these visitors will have to find an alternative as the site currently displays a prominent police banner.

“You have tried to access a website that is under criminal investigation by the UK: Police Intellectual Property Crime Unit (PIPCU) This site is being investigated for online copyright infringement,” the banner reads.

The domain was suspended by domain name registrar Internet.bs, who previously suspended the domains of several other sites including Cricfree.tv. Interestingly, the latter was allowed to transfer its domain to another registrar after it threatened to take legal steps.

TorrentFreak asked PIPCU for a comment on the latest domain suspension but we have yet to hear back. (Update: PIPCU says it has “no comment to make.”)

Increasingly, owners of alleged pirate sites are looking for safe registrars that won’t give in to complaints from authorities overseas. The Canadian registrar EasyDNS appears to be a safer choice, as the company protests PIPCU’s efforts fiercely.

PIPCU is not happy with these non-cooperative registrars and a few weeks ago the police sent EasyDNS a threatening letter, suggesting that the company itself could be held liable for aiding and abetting a criminal operation.

TorrentFreak spoke with a source who has been following the response of site owners to the recent domain perils, and he suggested that bypassing registrars altogether may become a new trend.

“Cutting out the registrar and going directly to the TLD’s registry is the best way. Through Iceland for example. ISNIC would only respond to a court order in Iceland, not threats from police,” we were told.

Iceland’s ISNIC would indeed be a safe option. The organization previously told us that it will not take any action without a court order, and later condemned PIPCU’s domain suspension requests.

Source: TorrentFreak, for the latest info on copyright, file-sharing and anonymous VPN services.

After years of legal action, arrests, and placing people like Gottfrid Svartholm and Peter Sunde behind bars, it became clear to copyright holders that trying to directly shutdown The Pirate Bay would not be easy.

Instead they decided to target ISPs, companies that are responsive to legal threats in most corners of the world. In time, court orders rendered The Pirate Bay and similar sites blocked, but not for long. Proxy sites enabling access to the world’s largest torrent indexes soon began to thrive, but their time would also come.

The biggest proxy battle anywhere on the planet is taking place in the UK, a country where it’s become almost a formality to have sites blocked at the ISP level. Today we can report that yet another silent round of blockades are being put in place.

One of the main targets is PirateProxy, an extremely popular proxy service that’s particularly well known in the UK. The site was previously accessible at PirateProxy.net but moved to a new domain earlier in the year after its domain was blocked.

The site switched to PirateProxy.in during April and successfully maintained its traffic. As can be seen from the Alexa chart below, PirateProxy is the 125th most popular domain in the entire country, an impressive feat for a site that offers nothing but a Pirate Bay block workaround.

Notable too is the site’s placing in Ireland, where The Pirate Bay is also blocked by ISPs. As of this morning PirateProxy was the country’s 131st most-popular domain.

However, visitors to the site through the major UK ISPs are now beginning to see the familiar “domain blocked” message. The example from Virgin Media, which confirms the existence of a court order, is shown below.

Also under attack are the various proxy services available through Come.in, a portal which facilitates access to a wide range of torrent and other similar sites blocked by numerous European ISPs.

In addition to sundry others, at the moment the site’s PirateBay, KickassTorrents, ExtraTorrent, YTS/YIFY, TorrentReactor, BitSnoop and 1337x proxies are being subjected to UK blockades.

This is the second time this year that multiple Come.in proxies have been targeted by rightsholders. Back in June its EZTV and YTS proxies were blocked in the UK but were re-established by the site’s operators who vowed to keep putting up new services to maintain service.

While blocking proxies continues to be a key weapon of choice, proxies with UK-based operators have greater concerns. As reported in August, City of London police’s PIPCU unit arrested the operator of Immunicity and several other proxies.

According to a police response to a Freedom of Information request obtained by TorrentFreak, he now stands accused of a wide range of crimes including breaches of the Serious Crime Act 2007, Possession of Articles for Use in Fraud, Making or Supplying Articles for use in Frauds and money laundering.

While plenty of proxies still exist (including several which rotate at the bottom of The Pirate Bay homepage under ‘proxy’), others aren’t doing so well.

Visitors to sites including TorrentProxies, Torrenticity, FenopyReverse, FirstRowProxy, GetPirate, H33tUnblock, KatProxy, LivePirate, Metricity, ProxyCentral, KickassUnblock and YifyProxy are greeted with a message from PIPCU that the domains are under police investigation.

Finally, and despite efforts by the BBC to have all VPN users labeled as pirates, use of such services to evade blockades and enable geo-unblocking continues.

The BPI, PirateProxy and Come.in were not immediately available for comments but we’ll update this report when they arrive.

Update: The operator of PirateProxy informs us that a new domain is up and operational at PirateProxy.bz

Source: TorrentFreak, for the latest info on copyright, file-sharing and anonymous VPN services.

Since its launch Spotify always had a very clear goal in mind. Compete with piracy and make it obsolete.

To see how the company is faring on this front Spotify regularly researches piracy rates in countries where they enter the market. Thus far the results have been rather positive.

In 2012 the streaming service entered the Australian market and Spotify’s own research now shows that music piracy via BitTorrent dropped significantly during the following year.

In a keynote speech at the BIGSOUND music conference today, Spotify’s Director of Economics Will Page reveals that the volume of music piracy has decreased 20% between 2012 and 2013. Similarly, the number of people sharing music via BitTorrent in Australia has gone down too.

“It’s exciting to see that we are making inroads into reducing the music piracy problem within such a short space of time in this market,” Page says.

“It shows the scope for superior legal services (offered at an accessible price point) to help improve the climate for copyright online,” he adds.

Spotify shared the graph below with TorrentFreak, showing that the drop in downloads was observed between December 2012 and 2013.

Less music downloads and sharing IP-addresses

While the overall volume is down not all pirates are giving up their habit. The research found that it’s mostly the casual file-sharers who stop sharing, while the hard-core pirates remain just as active as before.

Also worth noting is that interest in illegal music downloads pales in comparison to that of other media. The research found that the demand for TV-shows and movies is four times that of music.

Spotify suggests that it’s partly responsible for the drop in music piracy, but can’t say to what extent. It’s also not clear how the demand for and volume of other forms of piracy changed in the same time period.

Page sees the drop in music piracy as an encouraging sign, but notes that more has to be done. While Spotify’s Director of Economics doesn’t comment on specific anti-piracy proposals the Government has put forward, he does stress that both carrots and sticks are required to address the issue.

“Let’s be clear, Australia still faces a massive challenge in turning around its much talked about media piracy challenge, and it always has, and always will, take a combination of public policy and superior legal offerings,” page says.

“The downward trend in piracy volume and population suggests superior music legal services like Spotify are making a positive impact, and this has proven to be the case in Scandinavia, but it will take both carrots and sticks to turn the market around.”

The research seems to suggest that services like Spotify are reasonably good carrots, but what the sticks look like will have to become clear in the months to come.

Update: We added the graph Spotify shared with us after publication. This shows that there initially was an in increase in piracy, and that the downward trend started a few months after Spotify became available. In part, the company attributes this delayed effect to the relatively slow organic adoption.

Spotify further explains that it “contributed to the decline” thanks to its fair price, great performance and wide availability.

Source: TorrentFreak, for the latest info on copyright, file-sharing and anonymous VPN services.